Known for
7.4Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)
Von Trier's 100 Eyes
2000
8.7About sixteen-year-old Susanne and her relationship with her parents and friends. To make her friend Peter jealous, she flirts heavily with a forty-year-old silversmith from the sailing club where she works.
Skal vi danse først?
1979
No synopsis available yet.
Jeg blir' så bange
1981
NRNo synopsis available yet.
Lyd på liv
—
Behind the camera
7.4Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)
Von Trier's 100 Eyes
2000
8.7About sixteen-year-old Susanne and her relationship with her parents and friends. To make her friend Peter jealous, she flirts heavily with a forty-year-old silversmith from the sailing club where she works.
Skal vi danse først?
1979
No synopsis available yet.
Jeg blir' så bange
1981
NRNo synopsis available yet.
Lyd på liv
—
