Ludvik Bagari

The destiny unites two homeless men in the S.O.S. canteen. A failed actor and lost poet begin telling each other the key events from their lives. After an extraordinary twist we become aware that the two men are popular and will participate in a film experiment on the Moon.

What do you do when suddenly in your mid twenties you realise that your life has become a routine which consists of a monotonous nine to five job on weekdays and equally predictable Friday night parties?

A historical saga, based on personal stories and the history of Brda (a region near the border in the west of Slovenia), depicts a bloody history of Europe, full of wars, nationalisms and at the same time cohabitation, which is always personal and common to everyone.

The young boy Jernej is a writer who has a complete writer's block.

Story is based on a novel of the first Slovene female writer from the 19th century when also the story of the film is set. It's a never-ending and forever repeating story of neighbors, who can not reconcile. As they need the fight to stand out for their position of "neighbors", as that's the ultimate and only role of people living next to each other being called neighbors.

A historic drama telling story of a group of high school Slovenian students aged between 13-17 years old in province Gorizia in Italy during the beginning of the 1930's. Filing strong national suppression from Italian government and Fascist laws they decided to form a secret organization.

Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".

Two girls who study theatre & drama and their friend photographer decide to rob a bank, using all sorts of their creative force and imagination to implement the idea.

Pero is a professional funeral speaker in a small Slovenian town. His unique gift is to make every funeral that extra bit special. Pero just can't help turning his eulogies into witty personal confessions that bring the grieving crowd to tears for all the wrong reasons.

Kiti and Jozek, a young couple from the Prekmurje region become redundant at their place of work. Full of hope, they go to Ljubljana to seek new employment.

March 2020. As the Covid-19 epidemic is declared, movement restrictions are put in place and social life is disrupted. Inseparable tells the story of a group of friends who still find a way to connect and share their thoughts with each other.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

The focus is on the disintegration of an idyllic relationship between parents, Marko and Dunja. This is due to a lack of respect, caused by loss of employment and a financial breakdown. In time, the parents are no longer able to bear their burden, which is thus increasingly weighing their children down. In Slovenia, the story from The Basics of Killing occurs on a daily basis, but it could happen anywhere. To those familiar with the phenomenon, the film will be a painful experience, to others, may it be a warning.

The reconstruction of creation of an influential avantguarde movement called "Novo Mesto Spring" that arrived on Slovenian cultural scene during 1920s. Within this movement worked significant local artists such as composer Mario Kogoj, painter Rihard Jakopic, poet Danijel Bohoric and many others.

Catholic priest Jon Urski has broken the rules. As a result he has to go to Mokus, an abandoned parish in the middle of a marsh which has been without a spiritual leader since the mysterious death of the previous parish priest Janos Talaber. Jon Urski is resolved to rebuild, with the help of the villagers, the ruined church at Mokus. But the people are afraid that restoring the church will arouse pagan demons. The wild waters are beginning to rise... Water is pouring into the restored church from all sides and begins to erase the border between reality and the dreams.

A young soldier enters a conflict with his superiors and because he does not get the exit for the May Day holidays, he decides to escape. The escape of the weapon is a serious offense, and because there are no routes back to the barracks, the fate of the violence that leads to a bloody bribe begins to unfold. The story goes back to the time of the Chernobyl nuclear catastrophe.

Three almost middle-aged men decide to open up a pizzeria in the neighbourhood of Šiška in Ljubljana.

Šelig's heroine Agata lives torn between everyday, real life and the eternal woman within her: a woman who connects Agata with the mythical, the archetypal, the forces of nature and the primal elements. The primal forces and energies of life intrude into Agata's everyday life of voluntary servitude or passive devotion. Agata experiences them as a possibility for a different existence, while Agata Schwarzkobler's triptych, with its depiction of Agata's double image, presents the viewer with the eternal mystery of human existence.

Peter is fed up with his father’s unfulfilled promises to visit his friend Zoran, who moved far away with his parents some months ago. He forces his father to sear he will fulfill his promise. Peter immediately tells his friend the good news, and because Zoran doesn’t believe they will really come, Peter swears he will come if he has to do it alone. The next day, Peter’s father postpones the visit once again and rushes to work. But Peter doesn’t want to break his promise and sets off to visit his friend alone. Peter’s younger sister Petra attempts to reveal what is right and what isn’t in the events that follow - and when she finds the solution - it’s a surprise for everyone.

The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.

A postal worker is suspected of committing a robbery at the rural office where she works alone.

A tragedy looms for a young Gypsy violinist whose half brother is in the throes of first love.

Goran is a literary student who writes erotic stories to support himself is introduced to Carmen, who was born in extramarital relationship of an opera singer. Goran tries to get rid her of drugs and prostitution. Deeply depressed Carmen blames his mother for her own misery, which gets even worse after her death. A sense of guilt because of her mother's death leads Carmen to insanity.

The film entitled Svetneči is an essay about death, which is trying to talk about life, and at the same time presents a gift to the tireless work and mission of Mitja Špik. It is a feature documentary film shot to commemorate the 86th anniversary of the life and creative path of the all-time Carinthian cultural creator Mitja Špik.

The film entitled Svetneči is an essay about death, which is trying to talk about life, and at the same time presents a gift to the tireless work and mission of Mitja Špik. It is a feature documentary film shot to commemorate the 86th anniversary of the life and creative path of the all-time Carinthian cultural creator Mitja Špik.