Sofía Brockenshire

Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation.

Eve and Adam meet in Eden. It soon becomes apparent that they don’t find each other particularly attractive. But do they have a choice? Writing helps. They each start keeping a diary about this first encounter between two human beings — from very different perspectives, as one might imagine. And as they get on each other’s nerves and recount terrible things about each other, they discover an unexpected new emotion: love.

In a small Argentinian backwater town, a young woman sets out on a solitary search for her sister who has disappeared without a trace. When the family’s car appears in flames on the bank of a nearby river, Alba falls deeper into a world of bureaucratic frustrations, bringing her to the edge of despair. Her journey drags her back to the river, where a silent witness seems to provide the only calm that’s left.

Based on diaries that detail 30 years of service abroad of a Canadian Immigration Officer, The Dependents is an intimate audiovisual exploration of transient lives. It navigates through travel, my father’s employment, and my mother’s role as a spouse. Home and belonging are reconstructed between the past and present as a direct result of displacement and globalization, marking the political complexities between East and West, North and South, and Men and Women.