George Manupelli

A 400 year old samurai encounters a modern feminist couple in the woods.

A girl wanders through an abandoned farmhouse; doors open and close of themselves; when the girl finds a mark over a lipstick circle she had made on a mirror, the film ends.

A surgeon is on the run from the police for unacknowledged reasons.

Satirizes television pitches, art schools, and the self-importance of artists.

A musical sendup of the WWI flying ace starring poet/Warhol associate Gerard Malanga, then in town as a film festival juror

From George Manupelli's Doctor Chicago trilogy, starring Alvin Lucier as the evil (and politically incorrect) surgeon on the lam, Dr. Alvin Chicago with his sidekicks Sheila Marie (Mary Ashley) and Steve (Steve Paxton, who dies, dancingly, in each episode).

A 400 year old samurai encounters a modern feminist couple in the woods.

A girl wanders through an abandoned farmhouse; doors open and close of themselves; when the girl finds a mark over a lipstick circle she had made on a mirror, the film ends.

A surgeon is on the run from the police for unacknowledged reasons.

Satirizes television pitches, art schools, and the self-importance of artists.

A musical sendup of the WWI flying ace starring poet/Warhol associate Gerard Malanga, then in town as a film festival juror

From George Manupelli's Doctor Chicago trilogy, starring Alvin Lucier as the evil (and politically incorrect) surgeon on the lam, Dr. Alvin Chicago with his sidekicks Sheila Marie (Mary Ashley) and Steve (Steve Paxton, who dies, dancingly, in each episode).

No synopsis available yet.

The premise of the Dr. Chicago feature film trilogy is that Dr. Chicago (Alvin Lucier), a sex-change surgeon, is perpetually on the lam, fleeing the Feds and, in Cry Dr. Chicago, hotly pursued by his nemesis, a French gangster–cum–business tycoon (Claude Kipnis).