Michael N. Harbour

Samuel Taylor Coleridge, an unstable but brilliant poet, becomes friends with the unknown William Wordsworth, and together they set out to recreate English poetry in the spirt of liberty and democracy. As time goes by, cracks begin to appear in the relationship. Sam becomes addicted to opium, while William's ego and ambition distance him further from his friend.

A spate of computer thefts from government offices, a possible suicide under the wheels of a high-speed train, an absconded lifer on the loose, and a grisly trove of human bones in a garden all conspire to keep Davies on the job during a long Easter weekend.

Bad Girls The Musical is an original British musical based on characters from the award winning and hugely popular television drama Bad Girls. Set in the fictional HMP Larkhall, it's the story of new idealistic Wing Governor Helen Stewart and her battles with the entrenched old guard of Officer Jim Fenner and his sidekick Sylvia Hollamby. It also follows the love story that develops between Helen and charismatic inmate Nikki Wade. Other featured characters include Shell Dockley and her runner Denny Blood, old-timer Noreen Biggs, The Two Julies and the ultimate Top Dog, King-of-Gangland's missus, Yvonne Atkins. A tragic death on the wing - in which Jim Fenner is implicated - leads to an angry protest from the women and forces Helen and Nikki to their opposite sides of the bars. But when it's clear that Helen stands to lose her job over Fenner's misdeeds, the race is on for the women to nail him once and for all.

A kilo of cocaine. Hardly what two small-time crooks were expecting to find when they broke into TV director Harold Roy's shabby mansion. But nor was Harold's frustrated wife expecting to fall in love with one of the intruders. Now she's going to make a deal with him - for both her husband and the drugs. But the precious powder belongs to someone else. And he wants it back. So if he feels he's been double-crossed, there's no telling what might happen. Detective Inspector Resnick has a hunch that there's more to this story than meets the eye. And as his investigations lead him down the mean streets of the TV industry and an inner-city drugs ring, it's obvious that more than one person is dancing on thin ice.

A group of mercenaries is hired to spring Rudolf Hess from Spandau Prison in Berlin.

Oedipus's wanderings come to an end when he finds his final resting place, as foretold by the gods. But his brother-in-law and his son each try to take him away.

Lorrie's father is keen on the idea of an anti-crime Neighbourhood Watch, but Lorrie has his doubts. A play for the BBC schools anthology Scene written by Leslie Stewart.

In prison the night before his execution, republican preacher Hugh Peter prepares to be hanged, drawn and quartered for treason

A visit by the Moscow Arts Theatre company to Chekhov's country villa at Yalta in 1900. Based on the stage play by John Driver and Jeffrey Haddow.

An account of how Lech Walesa and the "Solidarity" trade union confronted the might of Communist dictatorship in Poland.

An adaptation of Arthur Miller's play The Crucible, concerning the Salem witch trials.

Neglected by her family, kept apart from her grandchildren, desperately short of money, Bea begins to gamble - at first for small stakes, but ultimately for the highest stake of all: revenge for the past.

Dada came out of the madness of World War One. "The birth of Dada was not the beginning of art but of disgust." Surrealism tried to systematize Dada's anarchy into an artistic blend of Freudian psychoanalysis and Marxist provocation. In the interests of conquering the irrational, Salvador Dali opened exhibitions dressed in a diving suit, Marcel Duchamp turned himself into woman, Benjamin Peret assaulted priests, and Yves Tanguy ate spiders. Andre Breton, nicknamed "the Pope of Surrealism", led an inspired gang of artists, lunatics and writers. By the 1950s they were denouncing each other for betraying the movement, but their ideas had infected every art form.

When researching the UK labour movement at the turn of the twentieth century, Graham discovers the pioneering socialist and gay rights campaigner Edward Carpenter.

A beautiful girl agrees to marry a hideous, deformed beast and live in his castle in order to save her father's life.

Howard Brenton's play, written for television, examines terrorism and the state's complex relationship with it and language surrounding it.