Shōzaburō Date

Earth is invaded by an interstellar terrorist group, Big Fire (the Gargoyle Gang in the American version), led by Emperor Guillotine who spends most of his time in a multicolored space ship hidden at the bottom of Earth's ocean, from which he issues his orders. Big Fire is capturing scientists to create an army of monsters to conquer Earth. A boy named Daisaku Kusama (Johnny Sokko in the American version) and a young Unicorn agent named Jūrō Minami (Jerry Mano in the American version) are shipwrecked on an island after being attacked by a sea monster and subsequently captured by Big Fire. They flee to where a Pharaoh-like giant robot is being built by captive scientist Lucius Guardian, who gives Daisaku and Jūrō its control device. Guardian helps them escape before he is shot to death; before he dies, he triggers an atomic bomb which destroys the base. The radiation activates the robot, which now obeys only Daisaku.

A omnibus movie consisting of the three parts: "Kechinbo", "Yowak" and "Kōshoku".

A motorcycle courier (Ken Utsui) is recruited to test a new high-speed motorboat but another company is willing to kill to win the competition to bring it to market.

No synopsis available yet.

15th in the 17 film Daiei "Woman Gambler" series

Chairman of the Shin Nihon Kaihatsu company Fukazawa, using clever ways to circumvent the law, rose to the top of the economic backstage. Three people are sacrificed to his greed. The president of a small company who committed suicide, a Yakuza who died during the destruction of his territory, and a former viscount whose wife and property were stolen by Fukazawa. Their sons vowed to hunt down Fukazawa and take revenge.

No synopsis available yet.

Comedy movie

Two lovers lost in the mountains. In what direction do not go, they find themselves in a mysterious forest pond, as if some kind of force does not want to let them go. Once upon a time, over a century ago, there had been a crime, whose shadow still hovers over these places.

Crime film directed by Tatsuo Yamada for Shintoho.

Ayako Wakao portrays a downtown rice ball shop girl whose heart is set on her business. Involved in her life are three young men—stage actor Goro, businessman Kokichi and Sanpei Pachinko.

1961 Japanese movie

1961 Japanese film about the Shinsengumi.

Japanese comedy film.

1962 Japanese movie

After the massacre of Christians at Shimabara, followers of Amakusa Shiro band together in a plot to overthrow the shogunate in order to exact revenge on the Tokugawa. At the same time there is a succession dispute in the Kuroda clan, as one faction tried to usurp the rightful heir and take over the honored clan. Before his untimely death, the lord of the Kuroda bestowed “Nihongo”, a magnificent spear, on his finest warrior, which ultimately brings him into contact with two of Japan’s most famous historical figures, Yagyu Jubei and Miyamoto Musashi. Can the three masters of martial art join forces to defeat their enemies and save the nation?

Japanese film.

1961 Japanese movie

Kyoko is the third daughter of the Nonomiya family, a very ordinary family. Momoko, the eldest daughter, is married to Ichiro, the president of Mihara Shoji, and Riko, the second daughter, is married to Jiro, the managing director, and they plot to marry Kyoko to Saburo, the third son of the Mihara family. Kyoko is angry at the marriage talk that is being pushed forward without her permission, and declares that she "definitely won't get married," but before she knows it, she begins to become aware of the other person...

In 1941, overpopulated Japan faces an economic boycott and its armed forces push further to the south. And despite negotiations between Japan and the U. S. A. war is declared with the attack on Pearl Harbour. Victories follow for Japan on land and sea and her forces push forward to the borders of India. But gradually the tide turns in favour of the Allies and after the atom bombings of Hiroshima and Nagasaki, Japan is compelled to accept the Potsdam Declaration and by the order of the Emperor agrees to unconditional surrender. Under the supervision of the occupation forces the International Military Tribunal opens in Tokyo to try the Japanese war leaders. Established in the cause of justice, and to prevent future aggressive wars the trials drag on for two and a half years. And on December 23, 1948, General Tojo and six other war leaders mount the thirteen steps to the gallows at Tokyo's Sugamo prison.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

The inventor of a ground-breaking glue, Sanada, becomes rich thanks to his discovery a high executive in his company. Because of this promotion, his world is changing completely : his wife behaves like never before, considering she's now rich and has the right to do whatever she wants, even having an affair. (Also occasionally known in English as “Overflow”)

No synopsis available yet.

Adaptation of the Yukio Mishima novel.

No synopsis available yet.

A store manager named Kinbei becomes enraged when the owners of the store decide to hand it down to an adopted son instead of him. He hatches a plot to murder them all, but as it turns out he has done this sort of thing before. As bodies pile up in the nearby Kagami Pond, a ghostly vengeance is about to be unleashed.

A handsome and pure-hearted employee who thought he was single actually has a secret child. His girlfriend, a beautiful secretary, and the high-maintenance female manager suddenly panic, and the whole company is in an uproar.

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

The 3rd Super Giant film, in which he saves Earth from the threat of the reptile-like Kapia Aliens.

Sashichi investigates the mysterious murders of four beauties, all of whom were stabbed in the chest.

The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)

This time around, Sashichi is investigating a case of serial murders believed to be perpetrated by a giant bear.

The fifth volume of the Ningyo Sana Torimonocho series. Based on the original work by Seishi Yokomizo, the film was adapted by Mitsuo Kaneda (The Nude Model Murder Case), directed by Tatsuo Yamada, who worked on The Golden Bugyo, and shot by Kikuzo Kawasaki. Keiko Hibino, Shigeru Amachi, Tomisaburo Wakayama

The 4th Super Giant film, in which he continues his fight against the Kapia Aliens (Part 2 of 2)

Rika, a manageress of a night club is about to be arrested on suspicion of smuggling. However, she escapes through the assistance rendered her by First Lieutenant Yokoyama of the Japanese Naval Commander's Office. After the end of war, Yokoyama plans to escape from riot-ridden Amoy and finally succeeds with the help of Rika to whom he gives a destroyer. Rika is actually the leader of a gang of pirates, and plans to rule the East China Sea by crushing Banryu, her rival.

1959 Japanese film.