Martin Rehbock

After the fall of the Berlin Wall, a communist family discovers a bunker full of money soon to be worthless. With the help of their neighbors, they embark on a race against time to enter the capitalist world in style.

To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

Family is complicated, no question. But Jan finds it particularly hard: his lesbian mother Victoria asks him to become a sperm donor for the common desire child with partner Rosalie. Jan would be father and stepbrother in one. An absurd idea? Not if Jan is shot in that same Rosalie ...

Charleen is 15, melodramatic, mega depressed, and Kurt Cobain’s biggest fan. Her best friend Isa is getting really boring, her dad is out of the picture, and her mom has hooked up with her biology teacher. Even though she has an apprenticeship preparing bodies for funerals, which is pretty cool, her musical idols are all dead. It’s about time Charleen was, too.

Melanie is in her mid-thirties and works for the Brandenburg police. Her precinct is the province north of Berlin. Melanie likes it when anybody likes her. If it gets political, she keeps herself out. But that's no longer so easy when her best friend Lydia, an ex-daily soap star, makes herself important as a populist influencer with right-wing slogans in her home village and a street disappears overnight. Its bumpy cobblestones were the last evidence of a dark time when building material for the Wehrmacht was mined at the Kiessee, today a bathing area. Forced laborers and concentration camp prisoners toiled here. Elementary school teacher Anja considers it a thoughtless mess that this stone memorial to history should simply be asphalted. With brown homeland paroles, Lydia heats up the mood in the village and earns good money through clicks on the Internet. When the violence escalates, law enforcement officer Melanie, who is addicted to harmony, has to decide which side she is on.

After the fall of the Berlin Wall, a communist family discovers a bunker full of money soon to be worthless. With the help of their neighbors, they embark on a race against time to enter the capitalist world in style.

To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

Family is complicated, no question. But Jan finds it particularly hard: his lesbian mother Victoria asks him to become a sperm donor for the common desire child with partner Rosalie. Jan would be father and stepbrother in one. An absurd idea? Not if Jan is shot in that same Rosalie ...

Charleen is 15, melodramatic, mega depressed, and Kurt Cobain’s biggest fan. Her best friend Isa is getting really boring, her dad is out of the picture, and her mom has hooked up with her biology teacher. Even though she has an apprenticeship preparing bodies for funerals, which is pretty cool, her musical idols are all dead. It’s about time Charleen was, too.

Charleen is 15, melodramatic, mega depressed, and Kurt Cobain’s biggest fan. Her best friend Isa is getting really boring, her dad is out of the picture, and her mom has hooked up with her biology teacher. Even though she has an apprenticeship preparing bodies for funerals, which is pretty cool, her musical idols are all dead. It’s about time Charleen was, too.

Melanie is in her mid-thirties and works for the Brandenburg police. Her precinct is the province north of Berlin. Melanie likes it when anybody likes her. If it gets political, she keeps herself out. But that's no longer so easy when her best friend Lydia, an ex-daily soap star, makes herself important as a populist influencer with right-wing slogans in her home village and a street disappears overnight. Its bumpy cobblestones were the last evidence of a dark time when building material for the Wehrmacht was mined at the Kiessee, today a bathing area. Forced laborers and concentration camp prisoners toiled here. Elementary school teacher Anja considers it a thoughtless mess that this stone memorial to history should simply be asphalted. With brown homeland paroles, Lydia heats up the mood in the village and earns good money through clicks on the Internet. When the violence escalates, law enforcement officer Melanie, who is addicted to harmony, has to decide which side she is on.