Ion de Sosa

Ion used to live in Berlin. He lived there with his girlfriend Marta. He had two cameras, a 16 mm one and a video tape one. Ion used to record everything in his little universe: his room, his friends, his girlfriend, the restaurant he used to work in, his tattoos and the city landscape. One day, though, Marta left him. Now, he shoots the same spaces, but without her presence. The house is empty. A personal portrait of a city and a separation.

Madrid, Spain, March 2020. As the merciless disease that plagues the world spreads through the increasingly deserted streets of the city, people barricades themselves in their homes and move on with their lives…

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

A relaxed summer day in a Spanish village. All generations gather around the local outdoor swimming pool and enjoy this well-deserved moment of idleness.

A relaxed summer day in a Spanish village. All generations gather around the local outdoor swimming pool and enjoy this well-deserved moment of idleness.

Three ferocious dogs keep a group of young people prisoners in the pool of a luxurious house they have snuck into, while neighbors gather at a nearby villa to celebrate the start of summer.

Three ferocious dogs keep a group of young people prisoners in the pool of a luxurious house they have snuck into, while neighbors gather at a nearby villa to celebrate the start of summer.

A group of friends rent a house to enjoy a few days of summer together with nothing else to do but waste time.

A group of friends rent a house to enjoy a few days of summer together with nothing else to do but waste time.

Ion used to live in Berlin. He lived there with his girlfriend Marta. He had two cameras, a 16 mm one and a video tape one. Ion used to record everything in his little universe: his room, his friends, his girlfriend, the restaurant he used to work in, his tattoos and the city landscape. One day, though, Marta left him. Now, he shoots the same spaces, but without her presence. The house is empty. A personal portrait of a city and a separation.

Ion used to live in Berlin. He lived there with his girlfriend Marta. He had two cameras, a 16 mm one and a video tape one. Ion used to record everything in his little universe: his room, his friends, his girlfriend, the restaurant he used to work in, his tattoos and the city landscape. One day, though, Marta left him. Now, he shoots the same spaces, but without her presence. The house is empty. A personal portrait of a city and a separation.

MATER, the last wooden tuna fishing boat in the Basque Country, is reborn as an eco-active museum. From the port of Pasaia, its crew conducts projects on environmental education and the collection of marine waste, involving society in defending the sea and nature.

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

In 2052, a man wanders through a semi-constructed high rise, assassinating people without warning.

In 2052, a man wanders through a semi-constructed high rise, assassinating people without warning.

In 2052, a man wanders through a semi-constructed high rise, assassinating people without warning.