Antonio Carmona

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

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This documentary is a effort to recover the memory of The Sacromonte, a suburb of Granada city. Chus Gutiérrez researches the relation between the suburb and the flamenco.

On June 24, 2017, Alejandro Sanz offered a show to remember at the Vicente Calderón Stadium. The celebration of the 20th anniversary of Más, the best-selling album in the history of music in Spain, became a true milestone, now accessible to everyone thanks to the release of Más Es Más El Concierto. Tickets sold out in just half an hour and the event brought together thousands of fans from all over the world who had the opportunity to review the songs from the celebrated album along with the most important hits of the artist's career.

Andres is a flamenco singer who has just gotten out of prison after being falsely convicted of the murder of Romero, a member of his band. As Andres tries to re-acclimate himself to freedom, he discovers things have not been going his way while he was up the river; his wife Lucia is having an affair with another man, while his bullying father Isidoro is obsessed with getting revenge against Don Manuel, who rules a local crime syndicate known as the Junco Family.

In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

Pedro goes out searching for a girl, but the night doesn't seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up sleeping in his house. Time goes by and they continue together. But Sara has too many men around and Pablo can't stand that. Their relation is difficult, they love each other but, at the same time, they can not be together.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.