Anadel Baughn

What do you do when you love music, and music doesn't love you back? It's a question that haunts Walt (Jim Tavaré), the owner of Essential Music, an indie record store in the heart of Silver Lake. Walt's all too aware of how his punk-rock glory days are fast fading in the rear-view - even as he can't help recounting war stories to his much younger employees: Lysette (Kate Dalton), who has to contend with a parade of customers convinced she's the Record Store Girl of their dreams; Chris (Derek James Elstro), the lead singer of Troubled Meats, a band poised for takeoff, and maybe not just in Chris' mind; and well-meaning music nut Duane (Adam Weber), who's a little too fluent in Rock Critic for his own good. With a love of all types of music evident in every shot, WARMED-OVER KRAUTROCK is a comedy for anyone who's ever spent too much time obsessing over playlists - and for anyone who's ever been driven crazy by that type of person, too.

Hired to enact revenge on a man who savagely beat a beautiful Russian débutant, Jack Verlaine is pressed between his newly acquired job and a persistent man named, Brill, who offers him a chance to advance higher in his seedy career. But when an estranged lover reappears in Verlaine's regimented existence, he soon realizes the new elements in his life may be just a plot to uncover his true identity.

Mr. Jack and Sweet Stephen cruise aimlessly through the streets of LA speculating about life, death, divine will and the force of power that predetermines their existence. Mr. Jack attempts to illustrate to his sidekick the delicate and natural forces of the universe. Sweet Stephen's superficial charm and bloodsucking lifestyle sends him and Mr. Jack on a voyage that is relentless, engaging, and darkly hilarious.

They Shoot Movies, Don't They? is a voyeuristic look at first time director Tom Paulson and the movie he wrote called Mirage. Frank Gallagher is the documentarian whose camera waits and watches as Paulson navigates through a jungle of investors, colleagues, friends and family, searching for money to finish his film. They Shoot Movies, Don't They? offers a line-blurring examination of what one might give up, in order to succeed.

Three women plot to catch wealthy husbands by throwing a party at a mansion to which they have temporary access. Obvious love stories follow involving an ex-ballplayer, a secretly wealthy mechanic and an ad exec.

A cartoon dog entertainment promoter manipulates a naive newcomer to be his headline act for an upcoming show.