Rita Raave

With his last breath Uu's friend entrusts him with the secret of how to go to the past. Uu is an engineer and doesn't believe in miracles, but the trick works. In the past there is a pleasant, eternal summer, long hair, girls and Jenkki chewing gum. In his real life, it is autumn, his friends are bitter, the girls are married and his father is seriously ill. At the end of the day, however, Uu has to decide in which time to live his life - in the summer of the past or in the autumn of the present.

A brilliant but misguided man feels that he has the right to decide who is worth their place on earth.

Mati, a 70-year-old bibliophile, cannot cope with his wife's death. As loneliness and indifference overrun his thoughts, he contemplates suicide until he meets a younger man who sparks his interest in life.

After being fired from his job at a newspaper for writing a destructive review of a celebrated movie, Fred, an aspiring writer, learns that his girlfriend is pregnant.

Jan Uuspõld is a talented actor who is not up to scratch due to his problems with alcohol. He makes up his mind to stop taking clownish roles and accepts a serious part in a play at Vanemuise theatre instead. His journey from Tallinn to Tartu becomes an unusual and in a way exaggerated voyage depicting the life and mentality of contemporary Estonia through various human natures, attitudes and ways of thinking.

Magnus, a handsome teenager, wants to commit suicide and his father tries to change his mind.

Three friends return from a vacation and discover that the TV studio they work for has gone bankrupt - so they decide to start their own costume renting business.

The last film directed by Kaljo Kiisk has been dedicated to theatre and the people in theatre. You are entering the hectic world of musicians, zanies and jesters - and don't expect to hear a symphony but a single delicate sound of a flute.

The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two. In fact, everywhere he goes, he meets prospective customers on all sides of the conflict with his all-inclusive greeting "Friends, Comrades." Indeed, the resource he is wrenching from the earth's bowels is necessary to all forms of industrial activity, and is especially necessary for military applications. Thus, he has no reason to fear that he will ever run out of customers. This doesn't prevent him from using every possible means to entice them. At home, his relationship with his wife is not so prosperous, and they resort to some extraordinary means to try and keep on an even keel.

In the final weeks of the existence of the Soviet empire, a number of unusual films were released. In this wry Estonian comedy, a woman with an unusual talent for mimicry which eventually earns her a career on the radio between WWII and the Russian resettlement of that country (with a corresponding deportation of millions of Estonians to Siberia). In an absurd fashion, her self-generate sound effects help her get out of all sorts of scrapes with the authorities. When those fail, her incredible nonchalance succeeds. By the end of the film, it becomes clear that she has bestowed her inimitable imitative gift on her newborn son, as well.

The film takes place in Estonia during the German occupation in the winter of 1943. In order not to serve in the fascist army, Ilmar tries to escape to Finland. His friend Peeter helps him, but this escape ends tragically...

Toomas Nipernaadi is seen roaming the rural landscape, going from village to village looking for the woman of his dreams. He wears a bedraggled white suit but generously pays for any lodging he needs or in one case, even buys a farm. Nipernaadi has a way with words and enchants those he meets with his wild stories about himself. Women find him appealing and the men are entertained as he moves from one locale to the next.

Osvald, a man in his sixties, his wife Ragne who is about half his age and full of life, and her ex-lover Tarmo, have reached a decisive point in their lives where important choices need to be made. The isolation of a lonely island sets the characters face to face with each other, depriving them of social safety measures.