François Sasseville

The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self.

An imaginative boy suffers the stifling ordinariness of his family's weekly Sunday ritual.

1952, Québec - Alys Robi, vocalist at the top of her popularity and recognized worldwide, was interned in spite of herself, by her father. Medical authorities prescribe her the only cure for a possible cure: the lobotomy. Under the bright lights of the operating room, Alys sees her 28-year life flash before her eyes.

Fredo just inherited his uncle's company but it bores him. Then he meets Angelo, a French movie director that introduces to the magical world of feature films. Suddenly, Fredo sees himself in different films. Soon, Fredo discovers that Angelo has a hidden agenda...

Manon, is obsessed with famous writer Chester Celine, who hails from Wyoming. Manon learns Chester is coming to town and becomes a slinky, svelte temptress

In this tragicomedy, Toni is the director of a staged rendition of Othello in Montreal. It is a pet project of his, financed by his loving mafia uncle. Unbeknownst to him, the audiences are also rounded up (and paid) by the same uncle. Some of them have seen every performance of this tragic play, and are understandably bored, so when the backstage romantic shenanigans of the actors result in absurd situations onstage, the audience is delighted. There are a huge number of romantic situations going on in this film at the same time. One of them involves Gaston a somewhat world-weary jazz musician, and Florence, a glamorous middle-aged woman who has been pining for him for years. Another involves to members of the musician's jazz trio. Yet another involves the play's Desdemona, Soledad, the girlfriend of the man playing Othello, who can't keep his hands off his (female) dresser.