Bagane Fiola

A 19th century woman named Salome, whose identity has been shrouded in myth and legend, becomes the center of a cult that has polarized a community. Like a jigsaw puzzle, a town pieces together myth, memory and aspirations to know the woman that has captured everyone’s imagination.

From Tales from the Camp: Bonfire Stories - a collection of films created by the new voices and personalities of Philippine cinema that explore tales developed or discovered during the 2015 Davao Ngilngig Film Camp.

Amid the endless rice fields of a remote village, 8-year-old Batoy clings to the innocent belief that rice can mend the broken, until the harvest of truth reveals wounds no grain can heal.

Sonata Maria is a film about a young man who has tremendous difficulty expressing his deepest emotions and has created an alternate reality within which he is able to vent out all his frustrations. It is a moving story of loss, madness and redemption.

Sonata Maria is a film about a young man who has tremendous difficulty expressing his deepest emotions and has created an alternate reality within which he is able to vent out all his frustrations. It is a moving story of loss, madness and redemption.

Sonata Maria is a film about a young man who has tremendous difficulty expressing his deepest emotions and has created an alternate reality within which he is able to vent out all his frustrations. It is a moving story of loss, madness and redemption.

Sonata Maria is a film about a young man who has tremendous difficulty expressing his deepest emotions and has created an alternate reality within which he is able to vent out all his frustrations. It is a moving story of loss, madness and redemption.

In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).

In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).

Panicupan, a barangay in Pikit, North Cotabato, is one of the "Spaces for Peace," where Moro, Lumad, and Christian settlers have joined hands in upholding their harmonious relationship amid the conflict between the government forces and the Moro Islamic Liberation Front.

Panicupan, a barangay in Pikit, North Cotabato, is one of the "Spaces for Peace," where Moro, Lumad, and Christian settlers have joined hands in upholding their harmonious relationship amid the conflict between the government forces and the Moro Islamic Liberation Front.

Panicupan, a barangay in Pikit, North Cotabato, is one of the "Spaces for Peace," where Moro, Lumad, and Christian settlers have joined hands in upholding their harmonious relationship amid the conflict between the government forces and the Moro Islamic Liberation Front.

An indigenous family, one of the last forest people of old, copes with the unusual changes in their environment including the imposing lifestyle and customs of the more sociable tribes on the plains.

On each of two flourishing Moro communities separated by a vast river are two brothers who feel a longing that is beyond the grasp of their content and idyll life. In the end, they seek the river to find their own peace.

Filming in a Time of Uncertainty is a short documentary film that follows a small team of filmmakers, who are based in the region in Mindanao, as they struggle to shoot a film amidst the trying times of the pandemic. And how they were able to comply with the community's minimum health guidelines, while observing the basic health care, in spite of the intricacies of the film industry’s standard health protocols.