Estevão Ciavatta Pantoja

No synopsis available yet.

The Serpent Pace is an autobiographical documentary that follows filmmaker Estêvão Ciavatta Pantoja’s journey of regeneration after a fall from a horse left him tetraplegic. The film uses his personal experience as a starting point to explore how one can transform suffering into a virtuous process of reconnecting with life.

Biographical portrait of samba dancer Nelson Sargento in Morro da Mangueira, Rio de Janeiro.

The history of radio and its connection with Brazilian popular music through Adhemar Casé

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

No synopsis available yet.

No synopsis available yet.

The Serpent Pace is an autobiographical documentary that follows filmmaker Estêvão Ciavatta Pantoja’s journey of regeneration after a fall from a horse left him tetraplegic. The film uses his personal experience as a starting point to explore how one can transform suffering into a virtuous process of reconnecting with life.

The Serpent Pace is an autobiographical documentary that follows filmmaker Estêvão Ciavatta Pantoja’s journey of regeneration after a fall from a horse left him tetraplegic. The film uses his personal experience as a starting point to explore how one can transform suffering into a virtuous process of reconnecting with life.

The Serpent Pace is an autobiographical documentary that follows filmmaker Estêvão Ciavatta Pantoja’s journey of regeneration after a fall from a horse left him tetraplegic. The film uses his personal experience as a starting point to explore how one can transform suffering into a virtuous process of reconnecting with life.

Biographical portrait of samba dancer Nelson Sargento in Morro da Mangueira, Rio de Janeiro.

The history of radio and its connection with Brazilian popular music through Adhemar Casé

The history of radio and its connection with Brazilian popular music through Adhemar Casé

The history of radio and its connection with Brazilian popular music through Adhemar Casé

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The future of the largest rainforest in the world will be decided in the region of the highway BR-163 where land grabbers are stealing immense areas of public forests. In response to the failure of the Brazilian government to defend these forests, the traditional populations are on the front line against land grabbers to save the Amazon.

Obesity is a global epidemic, and to better understand this phenomenon, participate in the dialogue between the different sectors that work on the topic. Biodiversity, and better eating habits, can be the path to longevity.

Obesity is a global epidemic, and to better understand this phenomenon, participate in the dialogue between the different sectors that work on the topic. Biodiversity, and better eating habits, can be the path to longevity.

The arrival of the Chinese merchants to Saara - the largest commercial center in Rio de Janeiro - before dominated by the Arabs and Jews. The film revolves around Francis, a saleswomen for the Casa São Jorge, a knickknack store that belongs to the Arab, Mr. Nazir. She does everything to help her boss not to loose his clients to the competition, Casa do Dragão, that belongs to the Chinese Chao. With her coworker Andressa and her rascal boyfriend Carlos Eduardo, Francis tries to find out why the Chinese merchandise is so much cheaper then Mr. Nazir's

The arrival of the Chinese merchants to Saara - the largest commercial center in Rio de Janeiro - before dominated by the Arabs and Jews. The film revolves around Francis, a saleswomen for the Casa São Jorge, a knickknack store that belongs to the Arab, Mr. Nazir. She does everything to help her boss not to loose his clients to the competition, Casa do Dragão, that belongs to the Chinese Chao. With her coworker Andressa and her rascal boyfriend Carlos Eduardo, Francis tries to find out why the Chinese merchandise is so much cheaper then Mr. Nazir's

The arrival of the Chinese merchants to Saara - the largest commercial center in Rio de Janeiro - before dominated by the Arabs and Jews. The film revolves around Francis, a saleswomen for the Casa São Jorge, a knickknack store that belongs to the Arab, Mr. Nazir. She does everything to help her boss not to loose his clients to the competition, Casa do Dragão, that belongs to the Chinese Chao. With her coworker Andressa and her rascal boyfriend Carlos Eduardo, Francis tries to find out why the Chinese merchandise is so much cheaper then Mr. Nazir's