Saeed Taji Farouky

When Jane marries and moves into her new home, she will discover her husband is keeping more than a few skeletons in his closet. From her food, she pulls clusters of hair. Silence haunts the lonely corridors of the home. While Jane is abused by her husband, she untangles the harrowing history of the house.

Using their bare hands, married couple Htwe Tin and Thein Shwe draw oil from a pit they drilled themselves on the land next to their house. There are lots of these “artisanal” oilfields dotted around Myanmar, where people have swapped crop cultivation for selling the oil they pump from the ground by hand.

Using their bare hands, married couple Htwe Tin and Thein Shwe draw oil from a pit they drilled themselves on the land next to their house. There are lots of these “artisanal” oilfields dotted around Myanmar, where people have swapped crop cultivation for selling the oil they pump from the ground by hand.

When the Israeli army withdrew from the Sinai Peninsula in 1982, it built a wall along Gaza’s southern border with Egypt. This split the city of Rafah in half. Today virtually nothing crosses the border. Yet through an underground network of tunnels, people smuggle everything from weapons, food supplies to medicines. The film is produced for Al-Jazeera International.

When the Israeli army withdrew from the Sinai Peninsula in 1982, it built a wall along Gaza’s southern border with Egypt. This split the city of Rafah in half. Today virtually nothing crosses the border. Yet through an underground network of tunnels, people smuggle everything from weapons, food supplies to medicines. The film is produced for Al-Jazeera International.

Newlyn Harbour is the largest fishing village in Britain, but the fishermen and the people of the village are faced with making some difficult decisions if they want their village - and industry - to survive. Plans to commercialise the harbour, or introduce retail and pleasure boats, could save the industry but would also fundamentally change the character of Newlyn forever.

Newlyn Harbour is the largest fishing village in Britain, but the fishermen and the people of the village are faced with making some difficult decisions if they want their village - and industry - to survive. Plans to commercialise the harbour, or introduce retail and pleasure boats, could save the industry but would also fundamentally change the character of Newlyn forever.

The Runner is a film about endurance. It is the story of a champion long-distance runner whose journey transformed him from an athlete into the symbol of a national liberation movement. Salah Hmatou Ameidan is willing to risk his life, his career, his family and his nationality to run for a country that doesn't exist. He is from Western Sahara, officially Africa's last colony and under Moroccan occupation since 1975.

A political refugee living in London tries to get back to his home in Palestine to see his dying son.

A political refugee living in London tries to get back to his home in Palestine to see his dying son.

No synopsis available yet.

No synopsis available yet.

In May 2025, artist filmmaker Saeed Taji Farouky collaboratively devised scenarios and filmed with people arrested and tried for pro-Palestinian activism. Together they built sets and performed idealised re-enactments of their police interviews and trials, re-enactments in which they said what they weren’t allowed to say in their real interviews and trials. In July 2025, the group with which some of those participants took action was banned as a terrorist organisation and an unprecedented crackdown on the language of Palestinian liberation began.

When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.

When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.

There Will Be Some Who Will Not Fear Even That Void is an ecological film for the 21st century - a film about the future of our planet that turns the traditional environmental documentary on its head. Rather than looking at our influence on the environment, ...Even That Void examines the environment's influence on us - emotionally, psychologically and ethically. The film suggests that the limits to exploring and dominating nature are no longer technological, but moral. We now have the technology to 'conquer' virtually any part of the planet if we want to - the question is no longer 'can we' but 'should we'?

There Will Be Some Who Will Not Fear Even That Void is an ecological film for the 21st century - a film about the future of our planet that turns the traditional environmental documentary on its head. Rather than looking at our influence on the environment, ...Even That Void examines the environment's influence on us - emotionally, psychologically and ethically. The film suggests that the limits to exploring and dominating nature are no longer technological, but moral. We now have the technology to 'conquer' virtually any part of the planet if we want to - the question is no longer 'can we' but 'should we'?

An Aboriginal man is invited to London for the Colonial Exhibition of 1886.

An Aboriginal man is invited to London for the Colonial Exhibition of 1886.

In January of 2004, in the northern Moroccan city of Tangiers, documentary filmmaker Saeed Taji Farouky met a 26 year-old Moroccan named Abdelfattah. He was a clandestine, one of many Africans who try to cross the narrow Straits of Gibraltar and illegally enter Spain by stowing away on cargo ships or boarding inflatable rafts. By the end of their first meeting, Abdelfattah had agreed to let Saeed follow him to film every aspect of his journey.

Hala, an Opera singer living in Rome, comes back to Cairo to claim her mother’s inheritance. This takes her on a journey across Cairo, meeting various people and many sides of the city to resolve her grief and the memories of her mother in the rough fantastical backdrop of the city.

Hala, an Opera singer living in Rome, comes back to Cairo to claim her mother’s inheritance. This takes her on a journey across Cairo, meeting various people and many sides of the city to resolve her grief and the memories of her mother in the rough fantastical backdrop of the city.

Hala, an Opera singer living in Rome, comes back to Cairo to claim her mother’s inheritance. This takes her on a journey across Cairo, meeting various people and many sides of the city to resolve her grief and the memories of her mother in the rough fantastical backdrop of the city.

We see a boy. We read a name. We view a landscape. We see a man. We see two children. A valley. A kite. A bicycle. A wall. The emotions are yours, not theirs. Not mine.