Directing

David E. Perry

Acting credits

Behind the camera

No artwork available
NR

An experimental film by David Perry.

Halftone

1967

The Film poster
NR

“The film was made spontaneously one afternoon in 1966. When a few friends got together... We were all in love with the film medium...” (Garry Shead)

The Film

1967

Mad Mesh poster
NR

An experimental film by David E. Perry

Mad Mesh

1968

The Little Sheriff poster
6.0

A young boy with such little to do, wanders around Sydney playing sheriff with his toy gun. However, this state of monotony takes a sudden turn when he encounters a group of older boys.

The Little Sheriff

1971

Confirmation poster
7.0

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

Confirmation

1977

No artwork available
NR

Records the backwaters and docklands of Sydney Harbour accompanying a young woman with a red umbrella.

Harbour

1967

No artwork available
NR

An experimental film by David Perry.

Puncture

1967

Album poster
NR

In this short self-portrait, Ubu Films co-founder Perry mines his archive of family photographs, home videos and exhibited 16mm film to fast-forward, reverse and freeze-frame narratives and reminiscences.

Album

1970

The Refracting Glasses poster
NR

Constant Malernik, artist and filmmaker, is obsessed by the history of the Russian revolution. He makes images in homage to artists of the twentieth century, especially the constructivist V.E.Tatlin. He travels to New York, then to his past in Australia where he meets the notorious fakes, Ern and Ethel Malley. With his partner Lydia he travels to Russia at the time of the overthrow of the Communist Party. In Russia, Malernik films Lydia’s first meeting with her family. He also unearths some little-known facts about Tatlin’s flying machine, the Letatlin.

The Refracting Glasses

1993

No artwork available
NR

Photographer and filmmaker Perry’s concise film-poem uses graphic matches (grapefruits, balloons and bubbles) to convey anxieties about fatherhood.

A Sketch on Abigayl’s Belly

1968

No artwork available
NR

An animated film using simplified and abstract forms, symbolising nuclear warfare.

Swansong in Birdland

1964

Rubbish poster
NR

A young boy creates a world of puppet friends using pieces of rubbish found in the street.

Rubbish

1982

No artwork available
NR

1967 David E. Perry short

The Tribulations of Mr. Dupont Nomore

1967

No artwork available
NR

'A youth is persecuted by the haunting reappearance of a girl's image in various commercial outlets. He finds escape from this commercial brainwashing only in his own confused sexual hallucination.' (14 mins) (Filmmakers Co-operatives Catalogue of Independent Film 1975/6).

Better to Reign in Hell

1969