Leni Wesselman

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

The story of former Bayern Munich president Kurt Landauer, a Bavarian jew ousted by the National Socialists and brought to the concentration camp of Dachau, where he survived to come back and start to rebuild his old club after World War II.

Years ago, three best friends were making a stir in Berlin’s arts scene and nightlife: Maria, a director; Laura, a young actress; and Jan, a DJ. Now they all meet up on a farm in the Black Forest where Laura and Jan had moved to fulfill their dream of a rural life. The illusions they’d all once had have given way to a life that is anything but glamorous.

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Andreas Dresen's adaptation of Clemens Meyer's novel about a group of East German friends right after the fall of the Wall.

Up until the middle of the 19Th century, poverty stricken mountain farmers from the Ticino area of Switzerland frequently sold their children to Milan as chimney sweeps or spazzacamini. That is also young Giorgios fate. He is forced to climb through pitch black chimneys, flinging down the soot with his bare hands. But he does not lose heart. Together with his buddies sharing in the same misery, he establishes the association of Black Brothers. They stick together, struggling against their penury and getting involved in fights with the street gangs of Milan. The film tells of the gripping adventures of the chimney sweep boys and their spectacular escape back to their native land.

Caro lives happily with her 18-year-old son Ben. Her ex-husband Manni moved out a long time ago and has a new family. Ben is now at an age where he is very bored of the occasional sailing trips and visits to relatives with his mother. But there is a lot to try out: late nights, clubs, girls and drugs. Caro has to experience how Ben tells her less and less and needs her less and less. When she sees surveillance footage of a robbery at a petrol station, where she was with her son shortly before, her protective instinct is awakened.

At the latest when Helga crashes through the floor of her living room, she realizes that she is stuck. It's been two years since her husband left her for another woman, but she's still angry and hurt. Everything changes when her cleaning lady goes on vacation and sends Polish worker Ryszard to replace her. Initially the target of Helga's resentment himself, Ryszard soon becomes her confidant. Although they don't speak the same language, Helga feels understood. In the safety of their own four walls, the two grow closer. But when Helga's family and friends find out about her secret, she finds it difficult to admit her feelings for Ryszard, who doesn't fit in at all with the usual image of masculinity in her milieu. Will Helga sacrifice her young, late happiness to social conventions?

Two couples and their children go on an excursion into the forest. They are young, successful and well-set parts in today's social-political establishment. When their children disappear in a storm, the entire construct of their friendship starts to crumble. Very soon, their bourgeoisie façade falls and the four turn into the profile of a lost culture. What follows is an odyssey through the forests that turns more and more into a journey into the metaphysical. The story is told in fragments and out of chronological order. The forest and the film imagery act as a poetic expression of the inner mind, creating the metaphorical psychogram of a lost cul-ture that desperately looking for a way out and a future. It is a poetic portrait of today's society.

Maggie (21) and Klaus (45) are touring in Germany in a camper and they seem to be lovers despite their age difference. However, at a camping site Maggie shows some affection for another man. The unavoidable conflict escalates fatally.

Anna, a young photojournalist from Berlin, travels to Serbia to make a photo documentary about refugees. Upon her arrival to Belgrade, Serbia's capital, Anna finds out that she can't go about her task the way she had planned. Through the cabdriver Dzeki, she meets the distrustful but interesting young refugee Maja who works at a nearby fast food restaurant. Miserable with her life in Serbia, Maja dreams of a new beginning somewhere abroad. In an attempt to successfully finish her project, Anna starts photographing Maja, secretly making a documentary about her. Blinded by the wish to change her life, Maja doesn't realize Anna's true intentions.