Nathalie Uffner

In their momentum for a neo-rural life in the Belgian Ardennes countryside, Brice and Lara soon have to face the imminent construction of a holiday resort nearby. A true race against time then starts for the young couple and revolves around Brice's quirky cousin Jacques, a native from the village, prone to mystical visions that will eventually lead them all to the Vatican! In a climate of provincial burlesque comedy both tender and grotesque, the Chapon-Laroche village microcosm, especially our endearing trio, will inexorably undergo a series of metamorphoses.

Belgium, 1980. On the banks of the Meuse river, against the background of a steel-producing city, factories close down one after another and lay off workers. One of those made redundant is Fabrice, who, at thirty-five, is proud of his trade, and now feels he has become useless. His wife, Céline, tries to renew his interest in life, but Fabrice remains trapped in his depression, and then one day he disappears...

Belgium, 1980. On the banks of the Meuse river, against the background of a steel-producing city, factories close down one after another and lay off workers. One of those made redundant is Fabrice, who, at thirty-five, is proud of his trade, and now feels he has become useless. His wife, Céline, tries to renew his interest in life, but Fabrice remains trapped in his depression, and then one day he disappears...

A Christmas Eve gathering among old friends turns tragic. Under the tree lies a poisoned gift – Tintin in the Congo – picked at random by a guest of African descent. Between buried secrets, forced soul-searching, generational clashes and political-family squabbles Brussels-style, things heat up faster than a turkey left too long in the oven.