Peter Tors

Stan Brock, the jungle cowboy is an adventurer feeding his desire to accomplish what the other man talks about and is not capable of achieving. In this series, Stan travels around Brazilian jungles and swamplands and encounters adventure and peril in every location he arrives into.

Amidst the chaos of Angola's civil conflict, an American family living on a wildlife preserve must navigate treacherous terrain and hostile forces.

Jamie Miller is having a bad day. Her mom remarried a jerk and gave away her dog, and tomorrow doesn't look much better. But everything changes when she meets a runaway baby elephant named Trouble! When her newest buddy is recaptured by a mean old circus ringmaster, Jamie and her friend Harry the Magician hit the road to save him. She's looking for Trouble, but what she finds is pure adventure!

Vincent, a promising artist, is ready to make the definitive leap to fame; for this he sets his sights on the Van Cleff Art Gallery, to be more precise he sets his sights on its manager Susan with whom he falls madly in love, but the good Vincent harbors a secret, a childhood subjected to his overprotective mother has turned the artist into a misogynist who spends his free time taking women of dissolute life to bed and then killing them.

Stan Brock, the jungle cowboy is an adventurer feeding his desire to accomplish what the other man talks about and is not capable of achieving. In this series, Stan travels around Brazilian jungles and swamplands and encounters adventure and peril in every location he arrives into.

Jamie Miller is having a bad day. Her mom remarried a jerk and gave away her dog, and tomorrow doesn't look much better. But everything changes when she meets a runaway baby elephant named Trouble! When her newest buddy is recaptured by a mean old circus ringmaster, Jamie and her friend Harry the Magician hit the road to save him. She's looking for Trouble, but what she finds is pure adventure!

Vincent, a promising artist, is ready to make the definitive leap to fame; for this he sets his sights on the Van Cleff Art Gallery, to be more precise he sets his sights on its manager Susan with whom he falls madly in love, but the good Vincent harbors a secret, a childhood subjected to his overprotective mother has turned the artist into a misogynist who spends his free time taking women of dissolute life to bed and then killing them.