Cláudio Assis

No synopsis available yet.

A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.

In the 1980s, in the city of Recife, a thief who steals film footage — popularly known as the "O Bandido da Sétima Luz" — terrorizes the population.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

No synopsis available yet.

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

This work explores the culture and influences that shaped the creation and performance of the songs on Vivo!, the third album by Pernambuco-born singer-songwriter Alceu Valença, released in 1976. Through this album, it paints a portrait of the birth of Pernambuco’s psychedelic scene, ranging from its visual art and fantastical characters to the initial forays toward Rio de Janeiro and mainstream success. It is a journey back to the 1970s, viewed through the lens of today and the eyes of tomorrow.

The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.

The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.

The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.

An overlook at some urban characters in the city of Recife through their passages in a hotel.

No synopsis available yet.

No synopsis available yet.

Filmmakers Cláudio Assis and Lírio Ferreira go on a journey through the frontier between the states of Pernambuco and Paraíba, Brazil, to show the importance poetry holds in local culture.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.