Anna Azevedo

In the ‘land without evil’ humans will find peace, according to the Guaraní. Not far from Rio de Janeiro, they have built a village where they can live according to their customs and their children can grow up equally influenced by ancient traditions and the modern world. The uncommented observation of their everyday lives full of games, laughter and music enables the audience to pose questions – and to search for their own right answers.

We are in the Sahara, in Rio de Janeiro, but it could be Beirut!

From a lifetime, a single memory has survived. Only one.

No synopsis available yet.

Thirty-five years in the life of a couple, told through 2,000 notes and family photographs. Love, jealousy, pain, resilience, and death, reflected upon by Aldir Blanc, the creator of some of the most beautiful lyrics in Brazilian popular music — including “O Bêbado e a Equilibrista” (“The Drunkard and the Tightrope Walker”), written for his wife, Mari Lúcia. Six years after Aldir’s death, the notes continue to emerge, hidden inside objects throughout the couple’s apartment in Rio de Janeiro’s Tijuca neighborhood. Mari revisits forgotten moments and opens the moving treasure trove of notes in the year Aldir — who died of COVID-19 in 2020 — would have turned 80.

The stage is the general of Maracanã stadium. On stage, the fans known as geraldinos in a spectacle of ecstasy, fury, joy and pain.

In the ‘land without evil’ humans will find peace, according to the Guaraní. Not far from Rio de Janeiro, they have built a village where they can live according to their customs and their children can grow up equally influenced by ancient traditions and the modern world. The uncommented observation of their everyday lives full of games, laughter and music enables the audience to pose questions – and to search for their own right answers.

In the ‘land without evil’ humans will find peace, according to the Guaraní. Not far from Rio de Janeiro, they have built a village where they can live according to their customs and their children can grow up equally influenced by ancient traditions and the modern world. The uncommented observation of their everyday lives full of games, laughter and music enables the audience to pose questions – and to search for their own right answers.

We are in the Sahara, in Rio de Janeiro, but it could be Beirut!

We are in the Sahara, in Rio de Janeiro, but it could be Beirut!

We are in the Sahara, in Rio de Janeiro, but it could be Beirut!

From a lifetime, a single memory has survived. Only one.

From a lifetime, a single memory has survived. Only one.

From a lifetime, a single memory has survived. Only one.

No synopsis available yet.

Thirty-five years in the life of a couple, told through 2,000 notes and family photographs. Love, jealousy, pain, resilience, and death, reflected upon by Aldir Blanc, the creator of some of the most beautiful lyrics in Brazilian popular music — including “O Bêbado e a Equilibrista” (“The Drunkard and the Tightrope Walker”), written for his wife, Mari Lúcia. Six years after Aldir’s death, the notes continue to emerge, hidden inside objects throughout the couple’s apartment in Rio de Janeiro’s Tijuca neighborhood. Mari revisits forgotten moments and opens the moving treasure trove of notes in the year Aldir — who died of COVID-19 in 2020 — would have turned 80.

Thirty-five years in the life of a couple, told through 2,000 notes and family photographs. Love, jealousy, pain, resilience, and death, reflected upon by Aldir Blanc, the creator of some of the most beautiful lyrics in Brazilian popular music — including “O Bêbado e a Equilibrista” (“The Drunkard and the Tightrope Walker”), written for his wife, Mari Lúcia. Six years after Aldir’s death, the notes continue to emerge, hidden inside objects throughout the couple’s apartment in Rio de Janeiro’s Tijuca neighborhood. Mari revisits forgotten moments and opens the moving treasure trove of notes in the year Aldir — who died of COVID-19 in 2020 — would have turned 80.

Thirty-five years in the life of a couple, told through 2,000 notes and family photographs. Love, jealousy, pain, resilience, and death, reflected upon by Aldir Blanc, the creator of some of the most beautiful lyrics in Brazilian popular music — including “O Bêbado e a Equilibrista” (“The Drunkard and the Tightrope Walker”), written for his wife, Mari Lúcia. Six years after Aldir’s death, the notes continue to emerge, hidden inside objects throughout the couple’s apartment in Rio de Janeiro’s Tijuca neighborhood. Mari revisits forgotten moments and opens the moving treasure trove of notes in the year Aldir — who died of COVID-19 in 2020 — would have turned 80.

The stage is the general of Maracanã stadium. On stage, the fans known as geraldinos in a spectacle of ecstasy, fury, joy and pain.

Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.

Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.

A short documentary film built with Super 8 images. A lyric journey through the images and sensations revealed by the memories and dreams of blind people.

A short documentary film built with Super 8 images. A lyric journey through the images and sensations revealed by the memories and dreams of blind people.

Video installation, day and night, women walking to the sea on the gentle rhythm of the waves, in honor of Janaína. The soundtrack is designed with unusual elements of percussion played in contact with water.

The weather, the wind. The fish, the beach. Work and her.

Jean Leguay, working under the pseudonym Jano, is a pop French visual artist. In late 2000, he visited Rio de Janeiro in order to make this book. Jano immersed himself completely in the “Rio de Janeiro life style”, going to places that will never be showed on post cards, meeting people from all layers of society, observing, experimenting, interacting.

No synopsis available yet.