Klára Melíšková

One phone call shakes Petra's life from the ground up. Her husband's fatal collapse causes Petra to become a widow from day to day. As she soon finds out, sadness and loneliness are not the only challenges she has to face.

A Czech journalist joins a Prague radio station what broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more collaboration, his relationship with his wife spirals downward.

A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dis­patcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He's a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Eu­rope. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…

Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.

A little girl and a socialist orphanage. It is a strict children’s institution. How to overcome fears, insecurity and loneliness? To do this, the girl creates another self to talk to and argue with. And, of course, the dream of America where everything is beautiful and good. Where her father lives and waits for her. A girl and her foster family. There’s plenty of everything, but it doesn’t feel right. Emma’s trials don’t end there. Again and again, she must find the strength to hope, the stamina to live.

A 12-year-old boy faces bullying due to his weight and decides to take charge of his life by adopting a healthier lifestyle and trying to win the heart of the girl he admires. Through his journey, he learns the importance of positivity and standing against body shaming, discovering that true confidence comes from embracing who you are.

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In 1940s Prague, a former Nazi prisoner returns to run his posh hair salon and struggles with family, the rise of communism and his past.

Mrs. Zahrádková has a plan to convince the other co-owners of the flats to finally save the house in which they live together and which is in emergency condition.

Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.

The film chronicles the events of a village on the Czech-Austrian border from the 1930s to 1950s, where genocide occurred due to fallout between German citizens and Czechs who collaborated with the Nazi regime during the war.

Grumpy handyman Laco loses everything to a group of mobsters. Now wheelchair-bound and with his life spiraling, it's his new friend Gabo, a local Roma who helps Laco see things with a new perspective. Revenge is sweet.

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

A bitter comedy about how difficult it can be to forgive parents for their concern, reproaches, or unfulfilled expectations was filmed in Ostrava by Czech Television director Lenka Wimmerová. We can guess what lies behind it this time too – is it the emptiness in their own lives after their children have left home, or disillusionment with their own failed marriages? The main character, Ivana, lives alone, without a husband and without her daughter, who is abroad. She suffers from insomnia and finds it difficult to detach herself from family injustices and her own life failures.

Daniel is an odd guy who lives with his endlessly quarrelling parents uncomplaining about his destiny. He keeps a distance from other people, he has no friends, nobody understands him, he is different. He will be turning nineteen and the last thing he would spend his time on is a preparation for his approaching graduation. Adam is his class teacher. He is gay who lives in a relationship with his younger partner David and his strictly guarded secret keeps locked behind a door of their apartment. Daniel and Adam live in their own bubbles until a moment when they both happen to be together in life threat. Lost in the darkness, cut off from the rest of the world, they are both looking for a way out. How far will they be willing to go?

When not serving regulars at a pub in the middle of a sleepy northern Moravian village, thirtysomething Maruna spends time with hesitant Jura and naïve outsider Olin – or fighting with her imperious mother. Lightened with a touch of black humor, this laconic village drama is the directorial debut of the artistic director of Prague’s Dejvice Theater who gave the members of his ensemble a one-of-a-kind acting opportunity in film.

Recording of the performance Dabing Street from the Dejvice Theater.

On the trail of a runaway wolf, wolf guardian Hannah reluctantly visits her grandmother's native Czech village, close to the Austrian border. Hannah's mother lives here and is treated as a social outcast due to her attempts of coming to terms with the traumatic family history. Hannah, too, can no longer escape the hushed-up past. It is time to break the silence.

The last drop for Jan's resolution is the voluntary death of his father-in-law, whose strength and patience ran dry. Grandma made decisions about Grandpa's life, old age as well as the funeral. Jan is sure that he and his wife Olga are on the same route. He recalls his past life when he used to have his own will and dreams and he wants to live again with dignity and freedom. He longs to control his own life again. And his solution is escape from the present life. In this movie we watch, in parallel ,the fates of Jan's married daughters Olinka and Alenka and his sons-in-law Erik and Pepík.

What can keep you alive when the whole world is against you and you're still a child? Not much. Ema Černá, the heroine of a story inspired by real events, overcomes the hardships of a children's home, foster care, and juvenile detention on her journey. The most important part of her will to survive is her belief in herself, her belief that somewhere far away, perhaps even in America, there is someone who cares about her.

Sisters whose husbands were arrested by the Gestapo struggle to get by with their children during WWII, while one grows close to a selfless doctor.

Based on a best-selling novel by Michal Viewegh, Angels of everyday focuses on a few intimate family members: a recently widowed young doctor Ester; a school canteen cook and her son; a driving instructor, his wife, and their closest relatives.

This impressionistic film captures the uniqueness of life and creativity. An experimental feature comprising 40 distinct acting roles, each captured on its own 16 mm film roll, offering a kaleidoscopic mosaic of human traits that fluidly crosses comedy, drama, and documentary styles. Rather than following a conventional narrative, it presents standalone character portraits that collectively inspire creative artists to define and communicate their vision clearly.

In late-1950s Czechoslovakia, a young couple's new love is tested by their parents' expectations and the toll of the Communist regime.