Carmen Conde

Ranchera/western; white hats vs. black hats.

A young prankster impersonates his friend in front of the university rector’s daughter.

It tells the stories of the passengers aboard a nonstop train. Each character is portrayed one by one, and the only thing they have in common is the journey they will take that night.

Martina, a sorrowful woman, is the sole inhabitant of an abandoned and eerie house, where a couple arrives on a stormy night seeking shelter. Martina tells them how what was once a happy hacienda turned into a hell filled with resentment when Doña Adelaida—the master’s second wife—and her son Hugo came to live there; the despotism and cruelty of both ultimately destroyed the entire family.

An Argentine arrives in Mexico and finds his vocation in music, succeeding as a tango singer. At the same time, he tries to conquer a capricious Mexican, who at first seems distant, slapping him, but she ends up kissing him.

Tired of being mistreated by his wife and children, Isidro (Del Diestro) leaves his family and follows young variety dancer Chayito (Tamayo) to Mexico City. After becoming lovers, Chayito asks Isidro to steal money from the bank he used to work in the small town of San Jacinto. After commiting the robbery, Isidro is accused of murder and things get more complicated.

Lone Ranger style heroic adventure, number two in a four-movie series.

A 1940 film directed by Rolando Aguilar.