Luis Alarcón

The film captures the activities of the inhabitants in the countryside, in southern Chile, and the CORA (Corporation for Agrarian Reform). Although the action was filmed in four days and four nights in 1971, the movie was only finished in France in 1973, after the military coup.

Gerardo was never detached from his mother. So when he presented his first girlfriend, the gorgeous model Ana Verónica, the mother will do everything possible to get rid of her.

This stark Chilean melodrama concerns itself with the plight of slum dwellers living outside Santiago. For many years they have, with great difficulty, been faithfully paying small sums to a real estate man. This man has said that by doing so they can obtain title to the miniscule plots of land their houses stand on. In fact, he has been swindling them and does not even own the land he has been "selling." One of the aggrieved slum dwellers confronts him about this while he is visiting the slum, and the real estate agent shoots him before everyone's eyes. The question confronting these witnesses is whether testifying against this monster will make their lives even more precarious.

Mordant, self-aware, freighted with sensitivity toward Chile’s problem, wary of caricature, disposed toward consciousness of human fallibility, it is a deft blend of fiction and documentary set in the tumultuous days leading up to the election of Salvador Allende in 1970.

Three criminals escape prison and find themselves at the swampland home of a strange old man and his sexy blonde daughter. This black-and-white Argentine crime film was dubbed into English and spiced up with over 10 minutes of color nudie insert shots.

A Russian agent is sent to a mission in Chile as a punishment. While there, he continues his adventures in a massage parlor where he meets Paola - a young prostitute he falls in love with.

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

La represa tells the story of an aboriginal tribe that finds itself endangered by the construction of a dam over their sacred land. "Beard in head" and his loyal friend "Straight hair" will have to go to the city to prohibit the construction of the dam by the white man.

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

Chile is the only country that has privatized its waters, in favor of large corporations, to the detriment of homes in rural and urban communities. Secos is a short that makes this reality visible, through the dialog between anonymous fighters from the most heavily affected provinces, with renowned actors and actresses in the country. The objective is to activate the topic of water as a human right, to achieve in the future the recovery of this vital element as a common good for all communities and territories.

Four drunken literary bohemians write a short story about a pact with the Devil just as that very story is happening to them.

Based on real events, 17-year-old Johnny García becomes involved with four older thugs who are planning to rob a money-laundering business masquerading as a video store. As they try to escape, a swarm of exploitative media attention awaits.

This is the story of a teenager at the turn of the century in the conservative higher classes of Chile and the initiation rites in his society.

Street tough Zamir has been in love with Kim ever since he rescued her from rapists, but the only way that he can express his affection is to attack any man who shows interest in her. Kim tolerates Zamir's infatuation, but keeps him at arm's length. When Max Kalba arrives in town to take vengeance on Kim's father, Zamir attempts to rescue her once again.

Mandrill is a high-level assassin whose parents many years ago were slaughtered in cold blood by a ruthless drug lord. Now he finds himself finally in a position to get his revenge. But since it falls in love precisely in the pretty daughter of the ruthless killer. Mandrill now faces the most serious decision of his life ...

A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.

A taxi driver finds Marlene, a provincial woman, lost in a brothel. Immediately he decides to help her out and take her at his place. Little by little, his paternal protection turns into a bizarre passion

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

In an imaginary country in Latin America, a man asks for asylum in an embassy. Trickery, passion, and intrigue are the motives of his actions.

Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.

The life and experiences of six emblematic Chilean actors. One by one, they relate aspects of their trajectories, origin and dreams, reliving and analyzing not only their careers, but also happy and historical moments that marked their lives.

It's the year 2006 in Chile and reality TV rules the airwaves. Ten strangers are taken to the snowy summits of the Andes; The challenge is to survive in an underground shelter.

A young working class girl falls in love with an upper class boy who is part of the plot to assassinate General Schneider, head of the Chilean Army. The film was shot in 1973 over six weeks with a budget of $170,000. As a result of the 1973 Chilean coup d'état and military dictatorship (1973–1990), the film was presumed lost for many years and not released until 1992.

A glimpse at the few days and nights in the lives of a brother and sister, Amanda and Tito, in Santiago’s semi-criminal underworld. A rambling portrait of Chilean society.