Vincent Chui

Cheung, a single mother living in an area with high crime rates, works hard to provide for her son while helping out her elderly neighbor.

A group of documentary filmmakers began to shoot the civil social movement in Hong Kong, which became part of the city's common landscape. Spanning over two years, the filmmakers attempt to reveal the visible and invisible control behind. They trace a mysterious organization which is suspected to secretly control the weather which dampens the mood and suppresses the intention of the public to participate in social movements. On the surface, the question on inclement weather could be answered by climate changes around the world. The underlying sordid discussion, however, is really about intervention, pervasive suppression and control instead of any conspiracy theory.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.

Ka, a common housewife, leaves her husband after big change in the family. Then she encounters Man, who has for years blamed her father Chow for bringing to light his relationship with his lover Tracy after the accidental death of Man’s mother. And so it seems that from departures stems relationships anew, but there are in fact little to be explained in the logic of cause-and-effect for existence, death, encounters, and love.

Ka, a common housewife, leaves her husband after big change in the family. Then she encounters Man, who has for years blamed her father Chow for bringing to light his relationship with his lover Tracy after the accidental death of Man’s mother. And so it seems that from departures stems relationships anew, but there are in fact little to be explained in the logic of cause-and-effect for existence, death, encounters, and love.

In his efforts to forget a five-year romance with a bewitching woman (Mei Ching Lam), Fai (Tony Leung Ka-Fai) ditches his career as a serious photojournalist and joins the ranks of the paparazzi. But when Fai's images of a glamorous socialite capture clues about her eventual murder, he works closely with an intern (Michelle Alicia Saram) to learn the truth about how the woman was killed. In the process, he must face ghosts from his painful past.

In the beginning of the year 1997, an ex-emigre man returns to Hong Kong, his city of birth and looks for a job. Unable to find one, he offers his services as an immigration consultant, and meets many people, including a lady with no past. A street Cleaner finds life with his pregnant wife and streets full of rubbish suffocating, and seeks new hope from the immigration consultant.

Leaving In Sorrow is a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the "Dogme 95" style, using hand-held cameras, natural lighting, and real locations. The film follows a disparate group of characters--including a pastor, a magazine editor, and a slacker from San Francisco--who find their lives suddenly turned upside down by events beyond their control.

Leaving In Sorrow is a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the "Dogme 95" style, using hand-held cameras, natural lighting, and real locations. The film follows a disparate group of characters--including a pastor, a magazine editor, and a slacker from San Francisco--who find their lives suddenly turned upside down by events beyond their control.

A woman keeps telling people about how she felt when she made a long distance call to her boyfriend thirteen years ago. A man, waken by a mysterious midnight call, tries to recall certain things that happened thirteen years ago.

Exploring the relationship between commerce, government, and the people, Chui places characters from different walks of life in a complex, intriguing web that reveals the state of post-Handover Hong Kong. Three Narrow Gates is a critically-acclaimed independent film that is truly made for Hong Kong people by Hong Kong people.

Edward Leung was an average student before he unexpectedly finds himself at the focal point of two Legislative Council elections. Despite winning over 60,000 votes in the by-election, his ticket to LegCo is forfeited when the regime imposes extra measures in the nomination process. On the other hand, Edward finds his free days numbered as he faces rioting charges for taking part in the Mong Kok Protest.

1997 documentary, part of the Taiwan-produced series "Personal Memoir of Hong Kong", is both a self-portrait and a depiction of Hong Kong during the 40 years preceding the handover by the United Kingdom to China.

Love is Elsewhere is a 2008 Hong Kong romantic drama film directed by Vincent Chiu.