
Directing
Alexandre Larose
Alexandre Larose is a French-Canadian artist based in Montreal. While completing a bachelor in mechanical engineering in 2001, Larose became interested in cinematography as a tool to re-configure temporal experiences. His moving-image practice investigates phenomena of appearance and representation as translated by the media of optics and celluloid. His approach relies on a methodical stripping out of layers embedded in both the live subjects and the technique that translates them into visual artifacts. His work has screened internationally since 2006.
Acting credits
NRNo synopsis available yet.
Light Licks: Pardes: Drowned Hat Rescue Media City Motown Jump
2014
5.3Koroviev, a police officer who teaches poetry in a brigade of police poets, is in search of a precious Bible annotated by Pierre Maheu, the captain of the St. Elias, a legendary ship. His quest leads him to befriend a young thief who introduces him to a mysterious woman named Coriandre.
The Art of Speech
2016
Behind the camera
5.8Found memories decayed by the shock patterns of childhood trauma. This films is made mostly with footage found in the bin of an ophanage. The white progressivelly disolve within a darknest more and more dense. Faces progressivelly disolves within one another.
J.
2008
6.1Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.
Brouillard #14
2013
NRSilent 16mm loop made for the situated cinema project at ArtSpace in Sydney, Australia. Composed of old footage from the directors' families.
Nadija
2013
NRDrawing on issues of memory, decay, palimpsest and the rubbing together of archive, fiction and situations, pilgrimage was constructed from found strips of 8mm amateur footage gleaned during a residency in Sydney, Australia. The original footage—a tourist’s voyeuristic, filmed impressions of a pilgrimage in a crowded urban space, where the faithful painfully stumble before the entrance of a temple—was reworked using an optical printer and other hand-made techniques.
pilgrimage
2015
NRA colour reversal film shot on 35mm. https://vimeo.com/71327099
Brouillard #2
2011
NRSilent 16mm loop made for the situated cinema project at ArtSpace in Sydney, Australia. Filmed in an unlit abandoned music hall in Sackville, NB.
Sackville Music Hall
2013
NR"In this film, I wanted to explore the potential of in-camera editing by photographing and juxtaposing the window frame and its outside landscape as visual references. I executed three attempts (using three rolls of 16mm film) and aligned them one after the other. I wanted to show the raw material exactly as captured inside the camera." — Alexandre Larose
Fenêtres
2008
6.0Luminous traces obtained through in-camera optical manipulation of nocturnal imagery.
Artifices #1
2007
NRA silent film by Alexandre Larose.
Rue De La Montagne
2012
NRFestival 2011 (13th edition of the Festival of Different and Experimental Cinemas of Paris): Anticipation # 4 by Alexandre Larose.
Anticipation #4
2011
NR“With this project I fabricate sequences by in-camera layering of repeated trajectories inside a path extending from my family’s home into Lac Saint-Charles. The image-capturing process produces a sedimented landscape that gradually unfolds while simultaneously disintegrating under temporal displacement. Approximately 30 long takes begin at the same frame on the film strip, all shot at a high frame rate. My walking rhythm varies for each trajectory, resulting in the space progressively expanding in depth until I reach the edge of a dock. The duration of the long take corresponds to the length of the celluloid reel, a thousand feet of 35mm film.”—Alexandre Larose
Brouillard #15
2014
NRA colour reversal film shot on s8mm.
Brouillard #1
2009
6.0Someone dreams of falling from a building.
Ville Marie
2009
NRPart of Larose's "Ville Marie - B" short film cycle.
chute #9b
2017
NRThis is a study from the "scènes de menage" series, starring Jacques Larose and Marie Claude Ferland, the filmmaker’s parents. We see domestic activities that take on a new dimension thanks to the way Larose deals with successive layers. The repetitive, automatic movements that are repeated in places such as the kitchen and the hallway, the succession of actions of getting into the car and leaving the house, are all captured by the camera in multiple overlays, which on being slightly out of sync give rise to a split, multidimensional reality.
La Cuisine
2015
NRShort film by Alexandre Larose
Le Vestibule
2018
NRA colour reversal film shot on 35mm.
Brouillard #5
2011
NRThis series of three works is part of the “household scenes” project, a corpus in development. It is a set of vignettes, cinematographic tableaux, built around the repeated gestures of my parents’ daily life. I present these scenes sometimes as sequence shots, sometimes as a succession of cut-out shots. Some depict only one parent, with particular emphasis on how he/she negotiates domestic space. With these paintings, imagined in various environments and by a treatment specific to the medium, I work to reveal the singularity of the places, the movement of the figures and the relationship between the two.
II.
2022
First film made by Alexandre Larose. Made with Microsoft Excel filmed in Super 8.
bonne nuit
2006
NRShort experimental film by Alexandre Larose
Sackville Marshwalk
2013
NRVideo I made for a song from the first album. The song is called " In The Midst Of The Twilight - Evening". Film sequences and stop motions by Alexandre Larose, filmed in Iceland and New York City.
Evening Movie
2007
Part of Larose's "Ville Marie - B" short film cycle.
chute #9a
2017
NRA colour reversal film shot on 35mm.
Brouillard #12
2013
NRA black-and-white reversal film shot on 35mm.
Brouillard #19
2015