Tsuruko Mano

Men are being murdered by a killer who uses a matter-transmitting device to locate his victims.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

After being fired from his company, Hitoshi Ueda opens a arbitration company. Experts from various fields gather around him and with their natural vitality, they solve one dispute after another. But as it turns out, their next dispute will be at a global scale.

This Japanese action-adventure is set in the 17th century when all forms of swordplay were banned. One fighter, an excellent swordsman believes the law is unfair. His brother keeps his opinions about the law to himself. The swordsman vents his frustration by cutting off the thumbs of an enemy. The fighter is then banished. To live, he becomes a thief. To restore the family's lost honor, the other brother is forced to challenge the fighter to a duel.

Period comedy about an undertaker's assistant in love with the daughter of a wealthy doctor. When her father refuses to allow the young lovers to marry and they attempt double suicide, Death comes to their rescue.

No synopsis available yet.

1962 Japanese movie

A skilled country doctor's talents are such that he can even perform operations as difficult and novel as removing a patient's kidney for the first time in Japan. Unfortunately for him, however, his wife's addiction to gambling is of such a magnitude that he is down to selling his underwear to make money. The image sticks and he becomes known as the 'underwear doctor.' On the other hand, his successful surgery's patient is so grateful he himself wants to become a physician.

Salaryman comedy.

Three young employees navigate love, ambition, and meddling bosses as workplace crushes evolve into defiant relationships that challenge social expectations.

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.

During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.

Keiko Yukawa is a former prostitute and the newest inmate at White Lily, a female rehabilitation facility.

When a group of young geologists declares a mountainside marked for residential development unstable, they are met with scorn on two fronts. On one end, they must contend with the local villagers who balk at the prospect of relocation; on the other, they face the ambitions of the headstrong lumber baron, whose actions will only further destabilize the land. Their pleas for reason ignored, the scientists can do little but observe as nature runs its inevitable course.

What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved, and become a wealthy money-lender, spending her days coldly collecting debts. Even her best friends, fellow Geisha Tomi, Nobu, and Tamae, are now indebted to her. For all of them, the glamour of their young lives has passed; Tomi and Tamae have disappointing children. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves less than satisfactory.

It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

A woman struggles to raise her young son on her own in postwar Japan, finding companionship with a kind laborer while still hoping for the return of her missing husband.

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

No synopsis available yet.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

Three humorous love stories set in rural Japan.

No synopsis available yet.

A widowed high-school teacher tries to raise his four children alone.

A legendary gangster raises himself out of a small town and gathers followers on his rise to power.

An Ishiro Honda film.

Story of an ex-sailor, caught up in a murder mystery involving gold dust buried in Manchuria, while romancing a woman whose father may be the center of the intrigue.

A bus driver and a female conductor on a route deep in the mountains are embroiled in a love affair that is depicted in great detail in this light-hearted romantic drama.

No synopsis available yet.

Melodrama by Kon Ichikawa

An Ishiro Honda film.

Slice of life film centered on a couple of years in the life of a rural high school girl.

Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.

This film depicts a troupe of wandering kabuki players traveling through rural Japan.

Okoma, a witty young woman working as a conductor in an old, rickety bus in Kōfu, Yamanashi (rural Japan), has a creative idea that could avert the dwindling number of passengers when her job and the bus company itself are at stake.

Following Flower Picking Diary (1939), Tamizo directed another film starring Hideko Takamine, based on a story by Nobuko Yoshiya. Takamine plays a poor young girl, trying to become a teacher on her quest to become independent to be able to look after her younger brother. But then tragedy strikes...

In this semi-documentary, an older locomotive driver is tasked with training younger ones and is currently training two in particular. The old man is finding the task overwhelming as it is hard work with practical lessons and classroom components. His wife has died, but he has three daughters with the oldest taking care of her younger siblings.

The only son of a sushi chef hates sushi and decides to leave home to search for a job and make his own way.

Japanese war-era film

A family comprised of a father, mother and three sisters lives in a posh area. The father is a doctor who has to join the army and work at war. The four remaining women have to take care of themselves. The eldest sister is calm and lady-like. The middle sister (played by Hara Setsuko), in contrast, is active and contemporary. She aspires to be a physician too. The story is based on Little Women by Louisa May Alcott.

A Fond Face from the Past is also set in a rural community, specifically a village outside Kameoka, near Kyoto. In some ways this short, thirty-six-minute film is Naruse's most moving negotiation of the militarist restrictions of the time, perhaps because it is also his most direct engagement with the culture of war. When a newsreel comes to Kameoka featuring a local man named Yoichi, it causes some excitement in the community and, of course, in Yoichi's own family. First of all his mother makes the newsreel (Nippon News, no. 14), which begins with the same marching music that opens his own film, followed by a curious baby judging context in Los Angeles featuring two hundred Japanese babies. Released in January 1941, almost a year before the pacific war begins, this “found footage” is indicative of Japanese imperialist ambitions beyond Asia long before Pearl Harbor.