Kenneth Desai

The heartwarming tale of Barfi, a charming deaf-mute young man from 1970s Darjeeling, and two unalike women who can't help but fall for him.

The Patels, members of the Gujarati farming community, are obsessed with migrating to the United States to buy a motel.

A driver named Raju embarks on an extraordinary journey of redemption by forever changing lives of 3 people due to a controversial hit and run accident.

Unable to see, hear, or speak after a childhood illness, a young woman grows up prone to violent outbursts until an eccentric tutor changes her life.

Imagine loving someone your whole life and when they’re gone, you’re not allowed to say goodbye. This tender short follows a young girl as she navigates the loss of her grandfather. In trying to make sense of his absence, she must also confront a world that decides how, and if, she gets to grieve.

4 mental patients formulate the plan to rescue their kidnapped doctor and teach the kidnappers a lesson.

An abusive wife, a hot girlfriend and a court case, Govinda Waghmare is just not able to catch a break. The icing on top of that horrible cake - a murder.

Hailed as India's first stereoscopic animated film, 'Krishna Aur Kans' is an exciting narrative full of action and drama. The movie chronicles Krishna's early years -- from his birth as the nemesis of his tyrannical uncle Kans.

Two children are transported through time to learn about the 10 avatars of Lord Vishnu and discover that Vishnu took on various incarnations to combat evil in every era.

Sandhya and Nikhil have been married for eight years and live a wealthy lifestyle in Bombay, along with a daughter, Rashmi. However, their lives change when Nikhil has an affair with his assistant Vrinda and divorces Sandhya.

An urban contemporary film about adultery, murder and betrayal in the film noir style. A simple story to which the director imparts a feeling of unrest and disquiet, catching the city in its various moods. The film breaks generic conventions, notably in the presentation of the private detective through his deglamourised life and his process of discovery of 'who did it'. It is not constructed through his point of view at all. In fact the policeman and the detective, the fact finders, are in the dark about the crime, to the very end.