Harish Bhimani

If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.

Hailed as India's first stereoscopic animated film, 'Krishna Aur Kans' is an exciting narrative full of action and drama. The movie chronicles Krishna's early years -- from his birth as the nemesis of his tyrannical uncle Kans.

Somewhere in the dreary zones of Mumbai's film industry, stuck between star-cult, superstition and the daily gridlock, Camera Threat explores the ambivalent, and sometimes paranoid relationship that this film city has with the moving image itself. Seated on a casting couch, two actors are getting trapped in their impromptu conversations on the unwanted side effects of a world that no longer bothers to tell facts from fiction. An expanded multi-genre film within the constraints of the so-called Masala Formula popularly known from Indian cinema.

Savita Oberoi is a cold-hearted and wealthy businesswoman. Her only son Ashwin is soft-hearted and is in love with Pooja Sundarlal who comes from a poor family. Her father used to be a famous poet Porash Sundarla now disabled, and her mom, Sudha Sunderlal a housewife and teacher. Mrs. Oberoi wants her son to marry Lily, Mr. Puri's daughter, who is settled in the United States of America. When Ashwin tells his mom that he loves Neela, she consents to go to see the girl, is impressed by the poet father, but does not permit her son to marry her. Under pressure, but refusing to give up his love, Ashwin marries Pooja, and at the same to placate his adamant mom, gets engaged to Lilly.

Four friends decide to leave their village and go to Mumbai in search of a livelihood.

Deepa is soon to be happily married, but she feels guilty that her older sister is still unwed and tries to find her a husband.