Evandro Scorsin

Broke and daydreaming about Hawaii, Jairo envisions an easy life without hard work. His chance comes when his depressed half-brother, Barãozinho, gets involved with the sister of an art smuggler. Jairo sees the perfect opportunity to steal from the guy and make his dream a reality. But he didn’t plan on falling in love—or accidentally getting tangled up in a string of murders, turning his dream scheme into a full-blown nightmare.

No synopsis available yet.

Bruna makes out with Andre before his trip to the beach. After that, she spends the rest of the day with her best friend Jota.

With a broken heart thanks to the end of a relashionship, Giba wanders around. All of a sudden he meets his friend Conrado, who introduces him Bia.

Twenty-year-old Giovanni is a fan of Santos FC and works in a video rental store. He talks to him work friend about life and girls and is always looking for his soulmate. One day he believes that he may have just known her.

No synopsis available yet.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

No synopsis available yet.

Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.

Toni is about to move. He decides to spend his last day in town drinking with his friends.

Being sixteen it´s easy. Being sixteen and have to go to school every day, it´s not. It’s even harder being sixteen and have to go to school and fall in love with Fernando, the boy from the other class. It’s easy to be Jaqueline. But it sucks being Jaqueline and know Fernando doesn’t care at all.

No synopsis available yet.

Janco and Samuel own a detective agency, in school. While investigating the disappearance of a volleyball, Janco tries to approach Dariana, the girl he is in love with.

Eric is in love with his best friend Eduarda. But Michel is quicker and gets her heart first. At the kart tracks, Eric has a chance to beat his opponent in a wild competition. Love and speed, love for speed. Those were the Thunder Days.

Broke and daydreaming about Hawaii, Jairo envisions an easy life without hard work. His chance comes when his depressed half-brother, Barãozinho, gets involved with the sister of an art smuggler. Jairo sees the perfect opportunity to steal from the guy and make his dream a reality. But he didn’t plan on falling in love—or accidentally getting tangled up in a string of murders, turning his dream scheme into a full-blown nightmare.

Broke and daydreaming about Hawaii, Jairo envisions an easy life without hard work. His chance comes when his depressed half-brother, Barãozinho, gets involved with the sister of an art smuggler. Jairo sees the perfect opportunity to steal from the guy and make his dream a reality. But he didn’t plan on falling in love—or accidentally getting tangled up in a string of murders, turning his dream scheme into a full-blown nightmare.

After an ecstatic drunken party, a couple wakes up without any recollection of the events of the previous night. When they find traces of a possible hit and run on the car's bumper, they come to believe they may have committed murder.

After an ecstatic drunken party, a couple wakes up without any recollection of the events of the previous night. When they find traces of a possible hit and run on the car's bumper, they come to believe they may have committed murder.

No synopsis available yet.

Four young people travel to a seaside town looking for fun. After a night of drunkenness, funny games and fooling around, they discover a pink and viscous goop that inexplicably seduces them. The fun is over, and one by one they begin to die.

Four young people travel to a seaside town looking for fun. After a night of drunkenness, funny games and fooling around, they discover a pink and viscous goop that inexplicably seduces them. The fun is over, and one by one they begin to die.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Thiago is in love with a girl who appears every night in his dreams. Obsessed with the desire to meet her, the boy can no longer sleep.

Thiago is in love with a girl who appears every night in his dreams. Obsessed with the desire to meet her, the boy can no longer sleep.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Being sixteen it´s easy. Being sixteen and have to go to school every day, it´s not. It’s even harder being sixteen and have to go to school and fall in love with Fernando, the boy from the other class. It’s easy to be Jaqueline. But it sucks being Jaqueline and know Fernando doesn’t care at all.

Junior, an eight years old, navigates the world in curiosity. He notices that one thing in his family is very unusual, one thing he sees everywhere he looks except in his family. Now, Junior starts looking for what they lack.