Noshka Van der Lely

Two women are dissatisfied with their way of life and work. They also realize that their resistance to the frightening political and military developments in Europe has come to nothing. In seemingly different ways, they try to change their relationship with the outside world. They watch fragments of films by Resnais and Godard and even want to make their own film.

The film is put together as a collection of autonomous images which, once combined, make up van der Keuken's mental universe: family happiness, fragments of some of his earlier films, a homage to the saxophonist Ben Webster, two poems by the great contemporary poets Remco Campert and Lucebert, a portrait of the director's grandfather, who taught him photography at the age of twelve... 
"One of those small masterpieces one encounters by surprise..." Jean-Paul Fargier, Cahiers du Cinéma, 1975

Two women are dissatisfied with their way of life and work. They also realize that their resistance to the frightening political and military developments in Europe has come to nothing. In seemingly different ways, they try to change their relationship with the outside world. They watch fragments of films by Resnais and Godard and even want to make their own film.

Two women are dissatisfied with their way of life and work. They also realize that their resistance to the frightening political and military developments in Europe has come to nothing. In seemingly different ways, they try to change their relationship with the outside world. They watch fragments of films by Resnais and Godard and even want to make their own film.