Directing
Luis Ernesto Arocha
Known for
Directing
Credits
7 titles
Known for
NRNew York in the 60s. Two Colombian artists meet and make a super 8 film, cross-dressing as Garbo in La Traviata.
The Passion and Death of Margarita Gautier
1964
NRAn explosion of Delilah myth. A biblical super-spectacular in the Bizet-De Mille grand opera tradition, with torrid ballet sequence.
Samson & Delilah
1970
NRNo synopsis available yet.
Azilef
1971
NRNo synopsis available yet.
La Subienda del Magdalena
1972
NRNo synopsis available yet.
La Opera del Mondongo
1974
NROn Love, Sex, Violence, War and Tchaikowsky. "The filmmaker uses the objects of painter Salcedo to poke gentle and savage fun at society and its follies... a continuous mad charade!" -- Tom Chomont. On Arocha: "I know of no films more uncompromising in grotesquerie of burlesque, in gigantism of overstatement, than the comedies of Arocha. His actors are possessed to frenzy with their roles, filled to bursting with their identities; they hypertrophy into fantastic growths, revealing comic flaws enormous, monstrous enough to swallow whole the old familiar characters of Samson, Traviata, and Dracula, and even to make the best of us laugh." -- Ken Kelman.
Windows
1969
Behind the camera
NRNew York in the 60s. Two Colombian artists meet and make a super 8 film, cross-dressing as Garbo in La Traviata.
The Passion and Death of Margarita Gautier
1964
NRAn explosion of Delilah myth. A biblical super-spectacular in the Bizet-De Mille grand opera tradition, with torrid ballet sequence.
Samson & Delilah
1970
NRNo synopsis available yet.
Azilef
1971
NRNo synopsis available yet.
La Subienda del Magdalena
1972
NRNo synopsis available yet.
La Opera del Mondongo
1974
NROn Love, Sex, Violence, War and Tchaikowsky. "The filmmaker uses the objects of painter Salcedo to poke gentle and savage fun at society and its follies... a continuous mad charade!" -- Tom Chomont. On Arocha: "I know of no films more uncompromising in grotesquerie of burlesque, in gigantism of overstatement, than the comedies of Arocha. His actors are possessed to frenzy with their roles, filled to bursting with their identities; they hypertrophy into fantastic growths, revealing comic flaws enormous, monstrous enough to swallow whole the old familiar characters of Samson, Traviata, and Dracula, and even to make the best of us laugh." -- Ken Kelman.
Windows
1969
NRNostalgic old postcards in a not so nostalgic bawdy collage birthday present for the star of MOTHERLOVE.
Happy Birthday Babye Starr
1982
