Mati Diop

No synopsis available yet.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

Jean and Sara have been living together for 10 years. When they first met, Sara was living with François, Jean’s best friend and an admirer from back when he played rugby. Jean and Sara love each other. One day, Sara sees François in the street. He does not notice her, but she is overtaken by the sensation that her life could suddenly change. François gets back in touch with Jean. For the first time in years. He suggests they start working together again. From here on, things spiral out of control.

Arranged to marry a rich man, young Ada is crushed when her true love goes missing at sea during a migration attempt — until a miracle reunites them.

Naked Blue was developed through a collaboration with Oumy Bruni Garrel, the film’s protagonist, and Devonté Hynes, who composed its score (performed by the Budapest Scoring Orchestra). From this combined star power emerges a work of startling intimacy, which follows then-13-year-old Oumy’s choreographed movements through a studio set painted an underwater blue, as she dances in front of mirrors and salutes an imaginary audience. Under the blazing lights and swelling music, her performance recalls a screen test or dance film—but the resulting work breaks free from the proscenium frame typical of those genres. — Museum of Modern Art

Narrated by an obsessive fan in 2055, an epic, half-century tale unfolds tracking the explosive rise and tragic downfall of a pop icon bound by a mad queer love affair with a punk star.

No synopsis available yet.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

Arranged to marry a rich man, young Ada is crushed when her true love goes missing at sea during a migration attempt — until a miracle reunites them.

Arranged to marry a rich man, young Ada is crushed when her true love goes missing at sea during a migration attempt — until a miracle reunites them.

Naked Blue was developed through a collaboration with Oumy Bruni Garrel, the film’s protagonist, and Devonté Hynes, who composed its score (performed by the Budapest Scoring Orchestra). From this combined star power emerges a work of startling intimacy, which follows then-13-year-old Oumy’s choreographed movements through a studio set painted an underwater blue, as she dances in front of mirrors and salutes an imaginary audience. Under the blazing lights and swelling music, her performance recalls a screen test or dance film—but the resulting work breaks free from the proscenium frame typical of those genres. — Museum of Modern Art

In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.

The odyssey of Senegalese friends who attempt a life-threatening boat crossing.

The odyssey of Senegalese friends who attempt a life-threatening boat crossing.

Jules had been hard at work rehearsing the steps to "Billie Jean" for the end-of-the-year show. That same year, he jumped onstage in the middle of a post-rock concert, took off his shirt, leapt into the crowd. That’s when we started to film him. Then we offered to spend a day in a studio and film him dancing.

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

Film following a Vietnamese director's wanderings through Marseille after her lead actor goes missing. Karaoke, beach sunrises and diaspora reminiscences.

Film following a Vietnamese director's wanderings through Marseille after her lead actor goes missing. Karaoke, beach sunrises and diaspora reminiscences.

Four filmmakers share a montage of their original ghost images and rushes on a mix of I've seen the future.

Full moon above the city of Paris. A young man crosses the city neighborhoods on his bike, when elsewhere a group of distinguished young people that seem to come from another planet, stroll, smoke and chat.

Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.

Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.

February in the French Alps. Vanina likes to hear the chalet’s parquet floor squeaking beneath her bare feet. Vanina likes to coat herself in sunscreen cream in front of the fireplace. Vanina likes the tawny fur of her rabbit. But above all, what Vanina likes is her American babysitter, Mary Jane…

February in the French Alps. Vanina likes to hear the chalet’s parquet floor squeaking beneath her bare feet. Vanina likes to coat herself in sunscreen cream in front of the fireplace. Vanina likes the tawny fur of her rabbit. But above all, what Vanina likes is her American babysitter, Mary Jane…

Christopher Columbus discovered America while looking for India. Columbus' journeys are subjective and undefined. Illusions take over objective observation. When one leaves, it is always his/ her own dreams that take off first. The edge of the world is definitely more narrow than the idea of it.