Kim Hee-jin

Jong-dae and Yong-ki make a living by picking up paper and empty bottles. Both then join different gangster clan and becomes involved in a struggle of political interests over development in Gangnam, Seoul.

A detective accidentally kills a man and disposes of the body to protect his career. The next day he sees that someone has hanged the corpse from a crane for all to see. He takes charge of the murder investigation to protect himself and find out who did it.

The Korean Academy of Film Arts has produced an animation for 3 consecutive years through a collaborative project. Considering the severe reality of Korean animation in that it lacks an industrial infrastructure, "The House" demonstrates the possibilities of Korean animation and the efficiency of collective production. While comparing apartments in the downtown core to the shabby environment of a marginalized district, "The House" portrays the collapse of the spirits dwelling at the house. As such the adventure of Ga-young and the spirits in the house becomes a criticism of modern society: enlightenment via animation. Although this animation may not have the most delicate or original style, the 5 animators that worked on this film unleashed their imaginations, ultimately showcasing the power of a collective process and a pleasure of the collective imagination.

A sadistic serial rapist and murderer of young women terrorizes a small province in 1980s South Korea. To prevent further crimes, three increasingly desperate detectives with conflicting methods race against time to unravel the violent mind of the killer in a futile effort to solve the case.

Kim Sun-woo is an enforcer and manager for a hotel owned by a cold, calculative crime boss, Kang who assigns Sun-woo to a simple errand while he is away on a business trip; to shadow his young mistress, Hee-soo, for fear that she may be cheating on him with a younger man with the mandate that he must kill them both if he discovers their affair.

A disgraced chef tries to restore his name by competing in a culinary contest to win the knife of Korea's last royal chef.

Jjang-gu joins "Monster," a violent organization at his high school. As a rite of passage, he learns a lesson about being a man while following the course.