Carmen Guarini

No synopsis available yet.

The way a group of police journalists track and obtain information for their work.

In 1997 the Argentine filmmaker Fernando Birri returned to his home country to film a documentary on the 30th anniversary of the death of Che Guevara and the relevance of utopias at that time. Carmen Guarini decided to record those moments. A rough edit of this film was hidden away on a fragile VHS tape for twenty years. Today, these images come to life and shed some light on the life of this Latin American poet and master filmmaker, who, at the age of 92, still refused to give up on his own utopias.

In 1997 the Argentine filmmaker Fernando Birri returned to his home country to film a documentary on the 30th anniversary of the death of Che Guevara and the relevance of utopias at that time. Carmen Guarini decided to record those moments. A rough edit of this film was hidden away on a fragile VHS tape for twenty years. Today, these images come to life and shed some light on the life of this Latin American poet and master filmmaker, who, at the age of 92, still refused to give up on his own utopias.

A personal film, an intimate journey into an unknown fiction: that of Leopoldo Federico, his music, and his bandoneon. The journey is none other than the one Pauls takes internally, delving into his hidden memories and experiences, searching in the traces of an infinite music for the figure and art of Federico, along with his way of understanding tango.

Documentary based on the forced expulsion of more than 250,000 slum dwellers from the Federal Capital during the last military dictatorship. A sympathetic and compassionate look at the suffering of marginalized individuals.

Documentary based on the forced expulsion of more than 250,000 slum dwellers from the Federal Capital during the last military dictatorship. A sympathetic and compassionate look at the suffering of marginalized individuals.

Between March and October 2000, millions of people around the world took to the streets to denounce poverty and violence against women. The historic World March of Women was a bold initiative of the Québec Federation of Women and represented a turning point in global solidarity. Director Sophie Bissonnette invited five filmmakers from around the world to cover the march. She also asked each one to film an innovative project. Set against the backdrop of a song, 'A Score for Women's Voices' ends at the UN, where women deliver 5 million cards signed during the marches. Their goal? To change the world.

The words of the Río Turbio miners and their wives. A testimony to human dignity, shaped by a past of sacrifice and an uncertain future.

The words of the Río Turbio miners and their wives. A testimony to human dignity, shaped by a past of sacrifice and an uncertain future.

D-Humanos is a choral project coordinated by Pablo Nisenson in which nine filmmakers participate and aim to reflect, in an equal number of short films, the state of human rights in Argentina today.

The story of this film begins at the moment when the artist and his work become independent forever. Gorriarena dies and his work begins an existence where the author is not there to explain it, replace it or modify it. The mounting of an exhibition is the excuse to explore both material and ideological decisions that coexist in the work of an artist. The film explores some of these decisions and their results, trying to show which gestures of love, trust, order, admiration or greed it arouses, and in the process tries to find the painter's way and perhaps, only perhaps, to get closer to his truth. A truth that is expressed through colour, critical and biting realism, ironic denunciation and energetic resistance to being "accused" of being a political and social painter.

“The grid of squares works like memory. We have clear memories, fuzzy memories, and some non-memories.” With this simple statement, the plastic artist Jorge González Perrin tirelessly begins to explain to anyone who wants to listen, the technique he developed together with the Arte Memoria collective.

“The grid of squares works like memory. We have clear memories, fuzzy memories, and some non-memories.” With this simple statement, the plastic artist Jorge González Perrin tirelessly begins to explain to anyone who wants to listen, the technique he developed together with the Arte Memoria collective.

In December 1977, two French nuns, Alice Domon and Léonie Duquet, were kidnapped in Buenos Aires by a squad of commandos from the Argentinean Navy. They were held and tortured at the ESMA - the School of Naval Engineering and were never seen again. Moving tale based on letters Alice Domon sent to her family and friends back home as well as on the testimony of many friends in Argentina who remember her humanity and courage. She shared the lives of those in need, helped heeling their sick and bringing in their crops. And she raised their political awareness - which brought her to the attention of the regime. A film retracing recent history that is by no means in the past.

Documentary about the group H.I.J.O.S. (Sons and Daughters for Identity and Justice against Oblivion and Silence).

Documentary about the group H.I.J.O.S. (Sons and Daughters for Identity and Justice against Oblivion and Silence).

A drama film

No synopsis available yet.

No synopsis available yet.

The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

Monica contracted polio at age seven, during one of the national epidemics in 1957. Although the disease confined her to a wheelchair, with great difficulty moving her four limbs, Monica has worked as a private English teacher and, more importantly, has been the mother of a daughter who is now 15. After the birth of her daughter, Monica felt the need and the impulse to make a documentary about her "colleagues," mothers in similar situations, a task she undertook with the help of her documentary filmmaker husband.

This film is the story of tracking a filming from which its director is interrogated by the crosses between the cinema, reality, ghosts and death. Edgardo Cozarinsky Films in Buenos Aires at night, the story of a taxi-boy who faces the death embodied in former lovers. Guarini discovers the scenes and the daily life of this filming. Her rejection of the "making off" format, leads her to doubt the way forward.

It recounts the prison experiences of political prisoners during the last Argentine dictatorship and questions the laws of due obedience and the final point.

No synopsis available yet.