Frédéric Mainçon

At the Palais de Tokyo, a contemporary art center in Paris, security guards monitor the artworks, observe, search, and screen the public. Most are of African origin—whether French citizens or not—and come from various African countries. How do they watch "us" live? To what extent do they feel they belong to this "us"? Through their observations, the film reveals something of who they are.

In search of a missing friend, Astrid investigates to understand why, nine years ago, her friend chose to end their relationship without explanation. The investigation becomes introspection: friendship and relationships with others are called into question.

No synopsis available yet.

At the Palais de Tokyo, a contemporary art center in Paris, security guards monitor the artworks, observe, search, and screen the public. Most are of African origin—whether French citizens or not—and come from various African countries. How do they watch "us" live? To what extent do they feel they belong to this "us"? Through their observations, the film reveals something of who they are.

At the Palais de Tokyo, a contemporary art center in Paris, security guards monitor the artworks, observe, search, and screen the public. Most are of African origin—whether French citizens or not—and come from various African countries. How do they watch "us" live? To what extent do they feel they belong to this "us"? Through their observations, the film reveals something of who they are.

No synopsis available yet.