Leonardo Henríquez

This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.

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Maximilian was a righteous man, but a member of a fearsome clan of bandits. One day he encounters the destination: the witches of the moors advocate his ascension to the control of the band. From that moment, the man was just what doubts assail, ambition, fear of betrayal and the oath of obedience to the will of the chief Durán, who must kill to take command.

Maximilian was a righteous man, but a member of a fearsome clan of bandits. One day he encounters the destination: the witches of the moors advocate his ascension to the control of the band. From that moment, the man was just what doubts assail, ambition, fear of betrayal and the oath of obedience to the will of the chief Durán, who must kill to take command.

Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.

Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

Carlos Cruz-Diez is one of the most prominent and influential Kinetic-Optic artists of our times. At 94 years of age, Cruz-Diez pursues an avant-garde challenge: to free color from form. This documentary follows the Maestro as he undertakes the most daring project of his creative life in his twilight years.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world

This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world