Anders Øvergaard

In a classroom in Telemark, five little girls carry on Norwegian cultural heritage in their spare time. In the film, the five happy and bright girls convey song and life joy, language and tradition knowledge together with Agnes Buen Garnås.

Each year, around 30 people disappear in Norway. When the police stop looking, some relatives turn to Michael Winger to find their missing family members. Winger does not call himself a clairvoyant, but believes that he has a strong intuition. Although he has helped to find several missing people, his unconventional means of investigation are still met with suspicion.

15-year-old Ida is a fashion blogger and city girl, and definitely unhappy about her mother's decision to move to a small farm in Northern Norway. Hating her new life from the first moment, she thinks the other girls are stupid to prefer horses to clothes and make-up. But a dramatic encounter with a horse called Kehilan changes everything. Suddenly Ida becomes eager to learn to ride, and then she discovers that the other girls are pretty OK. But upon discovering that Kehilan is soon to be sent to the slaughterhouse, a self-centred interest in clothes and fashion seems quite meaningless. But will Ida, against all odds, manage to save her horse?

In a classroom in Telemark, five little girls carry on Norwegian cultural heritage in their spare time. In the film, the five happy and bright girls convey song and life joy, language and tradition knowledge together with Agnes Buen Garnås.

Each year, around 30 people disappear in Norway. When the police stop looking, some relatives turn to Michael Winger to find their missing family members. Winger does not call himself a clairvoyant, but believes that he has a strong intuition. Although he has helped to find several missing people, his unconventional means of investigation are still met with suspicion.

15-year-old Ida is a fashion blogger and city girl, and definitely unhappy about her mother's decision to move to a small farm in Northern Norway. Hating her new life from the first moment, she thinks the other girls are stupid to prefer horses to clothes and make-up. But a dramatic encounter with a horse called Kehilan changes everything. Suddenly Ida becomes eager to learn to ride, and then she discovers that the other girls are pretty OK. But upon discovering that Kehilan is soon to be sent to the slaughterhouse, a self-centred interest in clothes and fashion seems quite meaningless. But will Ida, against all odds, manage to save her horse?