Max Eluard

Lucas returns to his parents house to celebrate his father's sixteenth birthday. When confronted with the conservative and bourgeois world from which he had escaped, Lucas realizes that he can no longer hide behind his old mask and decides to express what he really thinks.

Fifty-something Rosa, lying in an MRI scanner, is prompted to summon a happy memory. She plunges into a meandering, subconscious road trip with her indomitable mother, both queer, where wild imagination becomes a tender, unruly form of therapy.

In a middle-class neighbourhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?

In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?

In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.

Director Manoela Ziggiatti seeks what inspires and motivates our lives, depicting intimate encounters with her family and close friends to build a delicate narrative about the meaning of being alive.

Tan needs to cry.