Betty Compson

A fog-shrouded house provides the setting for a weekend party prank gone wrong and the resulting murder being blamed on an innocent man.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Happily married for three years, Ann and David Smith live in New York. One morning Ann asks David if he had to do it over again, would he marry her? To her shock, he answers, "No". Later that day, they separately discover that, due to a legal complication, they are not legally married.

Convicts escaping from Devil's Island come under the influence of a strange Christ-like figure.

A girl who's just lost her job meets a drunk millionaire on a bridge who's just lost his money. They go back to his house, and eventually come up with a plan to benefit them both: he'll scrounge enough money together to teach her how to be a lady, and then introduce her to his rich friends so she can snag a husband, after which she'll pay him a finder's fee. Complications ensue.

In Paris, a wild girl becomes possessed by the soul of her twin who died to save her life.

King James I gives his consent to the marriage between Lord Carnal and Lady Jocelyn Leigh. Lady Jocelyn, however, does not want to wed the evil Lord Carnal, and makes her escape on a bridal ship headed for Jamestown, VA. When it lands, a ruffian tries to take Jocelyn as his bride, but Captain Ralph Percy rescues her by marrying her himself. The marriage, however, is in name only, as Jocelyn wants little to do with Percy.

Skin Deep is a 1929 American talking drama film directed by Ray Enright and starring Monte Blue. It was produced and distributed by the Warner Brothers. It was also released in the U.S. in a silent version for theaters not equipped yet with sound. The film is a remake of a 1922 Associated First National silent film of the same name directed by Lambert Hillyer and starring Milton Sills. All copies of this film are now lost. However, the Vitaphone soundtrack, of music and effects, survive.

The town's leading citizen becomes a homicidal maniac after his wife deserts him.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

Two rival newspapers are engaged in a circulation battle, complicated by the fact that a vicious gangster inserts himself into the middle of it. Also complicating matters is that one newspaper's editor and circulation director are competing for the affections of a pretty blonde reporter.

On trial for the murder of Carl Hummel, Eddie Williams tells his story, which begins just before the World War

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

Former bootlegger Remy Marco has a slight problem with foreclosing bankers, a prospective son-in-law, and four hard-to-explain corpses.

When a rich young man marries, he lets the books and letters left him by his dead mother guide his life.

A sea captain comes to rescue of a prostitute in Shanghai, who is being run out of town. He takes her aboard his ship and heads out to sea. Not long afterwards the ship sinks but the pair manage to get into a lifeboat before it goes under. They are later picked up by a passing ship, but it turns out that the crew had just mutinied against their captain and taken over the ship.

The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.

A wealthy young woman, racked with guilt because she wasn't there when her mother died, is so desperate to contact her that she gets involved with a phony mystic who promises to put her in touch with her mother's spirit, but who is really after her money. A reporter who loves the young woman sets out to expose the phony "psychic" for the charlatan he is.

Roberta Morgan is being raised in a wealthy home where her mother is occupied with her society-club activities and her father is immersed in his business activities. She also feels that the household staff is against her and that no one understands her needs and problems. Things spiral out of control.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

With a full Hollywood background and settings but more an expose of scandal-and-gossip magazines of the era, has-been actor John Blakeford agrees to write his memoirs for magazine-publisher Jordan Winston. When Blakeford's daughter, Patricia, ask him to desist for the sake of his ex-wife, Carlotta Blakeford, he attempts to break his contract with Winston.

Newspaper editor (Foster) will do almost anything to increase circulation. He campaigns to free a condemned man while accusing a wealthy ex-criminal of a string of murders.

The Masked Angel is a 1928 silent romantic drama film directed by Frank O'Connor.

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

In ancient Egypt, Queen Neco Tokris angers the high priest by falling in love with a minor cleric. The high priest arranges for his rival to be stoned to death, and the queen, rather than submit, allows herself to be buried alive with her lover's body. Many centuries later, a ship steams toward Cairo, Egypt. Among its passengers are wealthy playboy Reginald Stanhope; vaudeville dancer Celia Thaxter and her manager, Gregory Gallup, who together are maneuvering Reginald into marrying her. Also aboard are Herbert Boone, a shell-shocked drug addict, and his nagging wife, Adele; Kelim Pasha, an Egyptian prince who attracts Adele Boone's affections; and Mahmud, an Egyptian mystic who insists that Celia Thaxter and Herbert Boone are the reincarnations of an ancient Egyptian queen and a priest who sacrificed themselves for their love.

Berenice Arnold spends her time trying to keep her family happy. This is easier said than done -- her brother, Jimmy, is a gambler and he steals 80 dollars that his father was responsible for. Berenice sets out to get the money back, but winds up causing a scandal because of her association with Trix Ulner, a gambler and thief.

Blanche Henry, a vivacious young woman, finds what she believes is true love with a handsome young man, but then learns that he has designs on her younger sister.