Nikolai Selikovsky

A young man travels from New York to Switzerland to try to persuade acclaimed thriller writer Patricia Highsmith to write one final installment of her Tom Ripley series, with his efforts gradually turning more sinister.

No synopsis available yet.

Three months in the life of Chiara, an actress pushing forty and trying to find her way in a bustling Rome overrun by tourists. Invisible, precarious, Chiara restlessly piles up one experience after another, searching for the thing that will make her feel alive.

Alice and Max work at night for a big import-export company. During one of their shifts, while watching CCTV recordings, they notice an alarming shadow walking through the hallway. Fascinated by the unknown they decide to investigate. Their search leads them to Antonio Solimas, an exorcists who warns the two about the presence of many objects that belonged to a witch. Burned alive 300 years ago.

Therese Schwarz represents the politician Konrad Wagner, a close friend of Paula Dennstein, who was pilloried by a newspaper for his #MeToo stigma. Therefore, the surprise visit from her little sister Marita doesn't fit into her plan at all. Especially since Marita, along with Ferdinand, has come into sensitive contact with the police due to a cannabis incident. For Konrad's defense, it's important to identify the slanderer, but it's a race against time, as the state elections are just around the corner...

Rome, summer 1943. Four children play war while the bombs of real war explode around them. Italo is the rich son of the Federal, Cosimo has his father in confinement and an atavistic hunger, Vanda is an orphan and a believer, Riccardo comes from a wealthy Jewish family. They are different but they don't know it and between them "the greatest friendship in the world" is born, impervious to the divisions of history that bloodies Europe. But on October 16 the Jewish boy is taken away by the Germans together with over a thousand people from the Ghetto. Thanks to Italo's father Federale, the three friends believe they know where he is and, to honor the "spit pact", decide to leave in secret to convince the Germans to free their friend. Yet another imaginative mission becomes reality, the three children travel alone in an Italy exhausted by war, among disbanded soldiers, deserters, occupying German troops, exhausted and hungry populations.

According to true events, the moving drama "The Children of Villa Emma" tells of a dangerous escape that took place during the Second World War. In 1942/1943, the Italian village of Nonantola was indeed a refuge for 73 Jewish children who wanted to escape the merciless access of the National Socialists on their way to the "Promised Land" of Palestine. Director Nikolaus Leytner describes the dangerous journey as an exciting test, presented by a talented young cast.

Bernd and Daniela Weigel not only make a good deal with the sale of a building plot, but also make the acquaintance of the happy buyers. The couple Viktor and Svetlana Galkin want to finally build a house for their whole family on the newly acquired 1000 square meters in a prime location. The Weigels' and Galkins' high-proof drink is soon followed by a rude awakening: a bomb could go off on the building site at any time.

For a TV documentary, the two unemployed friends Benny and Marko pretend to be petty criminals with immigrant background until the coin flips and reality turns against them.

At 19, Niko is still a real "milk boy" and wants to finally experience his "first time". When his parents are celebrating away from home, he wants to take advantage of the "storm-free booth" and invites the pretty Angelina. But she's not coming alone and Niko's friend Luke is also planning to hold the "mega party" at his place. He tries to prevent the worst from happening, but then someone hits on "his" Angelina. The initially inconspicuous but profound Sophie tries to distract Niko and suddenly he is caught between two women. At the excessive climax of the party, when young people from the whole area are celebrating in the garden and an indie band is playing, the parents burst in...

Laura, mother of a newborn, struggles with a complex obsessive-compulsive disorder. She engages in repetitive actions to fill an emotional void to maintain a connection with herself. However, something disrupts this cycle. The doorbell rings unexpectedly, and a familiar voice breaks through her obsessive pattern.