Michael Kann

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The film concentrates on the last days of the German navy during World War II.

Fifteen-year-old Heinz Stielke is a Hitler Youth fanatic who is devastated to learn a hidden truth about his respected father who was a German officer in WWII: He was Jewish. Pushed out of his community after the discovery, young Heinz falls into a tailspin of alienation and anger. He is subsequently thrust into a series of social collisions across the war-torn German fatherland.

A wounded Soviet soldier is kept hidden by his wife in their home for 26 months. He hopes to survive the war in this way. Too late, they both realize the error of their ways.

When Angelika moves to Leipzig, she is forced to rent a room at Mrs. Häublein’s for a start, since her parents will not follow until a few months later. Fellow tenant Thomas, a philosophy student, is not at all enthused about his new, pretty housemate. Because of Angelika he has to move into a smaller room. Furthermore, he is annoyed at her many male acquaintances, without sensing that his aggression might be prompted by jealousy. When Angelika’s father comes for a visit, he asks Thomas to keep an eye on his daughter. Thomas takes this assignment very seriously and finally realizes that he has fallen in love with Angelika.

Trini avenges the torture of his uncle by a landowner’s son. Trini and his fellow peons destroy the landowner’s home and overpower his guards with the help of Emiliano Zapata. Zapata is killed in a conspiracy before Trini can warn him.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The film concentrates on the last days of the German navy during World War II.

Fifteen-year-old Heinz Stielke is a Hitler Youth fanatic who is devastated to learn a hidden truth about his respected father who was a German officer in WWII: He was Jewish. Pushed out of his community after the discovery, young Heinz falls into a tailspin of alienation and anger. He is subsequently thrust into a series of social collisions across the war-torn German fatherland.

Fifteen-year-old Heinz Stielke is a Hitler Youth fanatic who is devastated to learn a hidden truth about his respected father who was a German officer in WWII: He was Jewish. Pushed out of his community after the discovery, young Heinz falls into a tailspin of alienation and anger. He is subsequently thrust into a series of social collisions across the war-torn German fatherland.

A wounded Soviet soldier is kept hidden by his wife in their home for 26 months. He hopes to survive the war in this way. Too late, they both realize the error of their ways.

A wounded Soviet soldier is kept hidden by his wife in their home for 26 months. He hopes to survive the war in this way. Too late, they both realize the error of their ways.

Journalist Marga is commissioned by her editor-in-chief to interview a rock singer, Anne, from Prenzlauer Berg in Berlin. When Robert, an unpublished poet and Anne's ex-boyfriend, shows up, Marga becomes way more interested in her interview assignment. A love triangle comedy set in the bohemian East Berlin Prenzlauer Berg atmosphere combined with 1980s punk rock music à la Nina Hagen that comments on East German taboo topics, including environmental issues.