Rima Melati

Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.

In this high school musical, a talented teen tries to change his reputation by running for student council president against his ambitious friend.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

The story revolves around the Minangkabau Hanafi and his friend, the half-French half-Minangkabau Corrie du Bussée. Although Hanafi is Minangkabau and a Muslim, he considers European culture to be superior and has many European friends.

An idealistic Dutch colonial officer posted to Indonesia in the 19th century is cohvinced that he can make the kinds of changes that will actually help the local people he is in charge of, but circumstances soon make him realize just how out of touch he really is, and it doesn't take long for things to go from bad to worse.

Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.

The bizarre Arif family usually stay holed up in their old house... for good reason! The clan includes a daughter who's nearly catatonic during the day but a nympho at night, a son who's a violent bully, another son who's a sex maniac and a psychologically abusive matriarch who's both an aunt and a stepmother to the children because she murdered her own sister and then married her brother-in-law. A psychology student who's looking into matters has his work cut out for him.

The presence of her mother-in-law (Wolly Sutinah), ends the peace of Martini (Rima Melati), a former prostitute. She is terrorized continuously, until she finally runs away from home and tries to commit suicide.

A married man has two daughters with his mistress and then abandons her. Years later, the mother is killed in a train accident while the now-grown daughters become involved with prostitution, pimps, rape and incest.

It's 1956. Truck driver Loe Wolf wants to emigrate to America, but he doesn't have the money to take this step in life. When his boss entrusts him with a certain amount of money, he takes a gamble.

Because he kills someone in a bar fight, Usman is arrested, but he has a promise to meet his pregnant girlfriend Tuti

Poor man Jamal found a gigantic diamond by the river near his house. Is he ready to become rich?

The unrequited letters motivate Gendis to come to Jakarta to find out where his mother has been. By following the Annual Student's Annual Camp, Gendis has hope in realizing his dream to be able to see and embrace the figure he missed. Meeting Gilang and some friends in the camp was the start of an elaborate search in Jakarta. Gendis thinks it will be fine, but on the contrary, every quest leaves a mystery to be solved by it. Is Gendis able to meet his mother and return safely?

Linda, eldest of the Mulyadi family, wants to continue her studies at a university in Yogya because she realises her potential. Her father approves this even though they are struggling financially as he is just a low-ranking staff in a bank. But her mother disapproves. Then her friend, Nancy, introduces her to Lukman, a playboy who likes her. Lukman becomes a bad influence and she is carried away by the lifestyle of the rich and forgets how hard her parents work to pay for her studies. The father drives a motorized rickshaw after work while her mother becomes a street vendor. One night, Linda and her friends are driving a car recklessly and hit the motorized rickshaw that her father drives. Linda’s friends run away while she stays to help her father. Suddenly, the scene changes to the school’s graduation where words of wisdom are given and Linda graduates thanks to her parents’ hard work.

Indarningsih takes care of her daughter, Violetta, with so many restrictions that she feels like a prisoner. Living in a remote place, one day, Corporal Herman arrives for a visit. Ningsih realises that she cannot stop the passion between them. In truth, Ningsih is worried that Violetta will end up like her, raising a child on her own without a husband.

Tempted by the presence of Kokom (Rima Melati) dangdut singer of a successful village in Jakarta, coaxing his uncle Sarkim (WD Mochtar) and the poverty that left three children died, Citizen (Henry Wanisar) decided to move to town with his wife and children are dumb, Iyom (Marisa Haque). In Jakarta they were under the influence Sarkim who became king of beggars. His home life is threatened. Iyom accused of fooling with another man, angry residents and leave his wife. Residents Seperginya, Iyom huts on fire. So the family was scattered. Residents Sarkim be assassin plunges, luxurious living and lives with his dream, Kokom. When he realized that all this caused Sarkim, Citizens kill Sarkim and go to jail. At the door he met with Iyom prison and his son. He asked for forgiveness.

Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.

Disillusioned with his life and career, a supermarket customer service employee sets out on a journey to locate his estranged father.

Lono is a thief who steals from the corrupt on behalf of the poor.

At the age of 22 years of marriage, Mutia was attacked by liver cancer. This difficulty did not change the attitude of her husband, Affan.

Adapted from Korean movie, Miss Granny, this movie tells a story of old woman that despise old-age that suddenly transform to a pretty girl with all her youth problems.

Nick and Arini finally marry despite their big age difference that leads to conflicts. Nick and Arini try to cope, and even decide to see a psychiatrist. Meanwhile, Ella, Arini’s child from Helmy, has a problem after a kidney transplant. She needs a new kidney. Her stepmother, Ira, offers to be the donor, with financial help from Arini. The operation is done in Germany. Upon returning home, Arini finds an upset Nick, who is jealous about a picture of Arini and Helmy together. In fact, Nick’s mother, who has always disapproved of his marriage, funded Helmy’s trip to Germany to set up the situation. Nick suspects that Arini is pregnant and refuses to go home. In frustration, he brings home a prostitute to his mother’s house. Then his mother goes to Arini’s house and finds out that Arini is struggling to give birth. She is then taken to the hospital and has a Caesarean. Meanwhile, Nick finds out the truth of the whole incident and goes to the hospital to apologise. The marriage survives.

In this sequel, Anita and her husband, Rio, are offered to act in a film. Kadir, their housekeeper, wants to join in. Their neighbour, Tati, and her housekeeper, Doyok, also want to join in. Rio, Anita, and Kadir pass the selection, after deceiving Tati and Doyok. Then a misunderstanding happens. Rio, Anita, and Kadir are misconstrued as having a fight when they are actually rehearsing a scene. Meanwhile Tati, who often uses the phone at Rio’s house to contact the director, is suspected of having an affair, leading to more comedy of errors. It seems to be an intention to criticize the film industry.

Agus leaves his wife and the three children. After many years, Agus wants to return but he has to apologise to his wife and children, namely Anwar, Dani and Aini. But Anwar, the oldest son, who has been supporting his family all these years, rejects him.