Catarina Accioly

Two young women retreat to a remote holiday home. While one of them undertakes a medical abortion, the other quietly cares for her. A snake slithers around them, unnoticed.

In a small elevator, a man and a woman prepare for a night out for two. And now? At night, anything can happen.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.

A librarian's strategies for silencing noisy readers are shown with horror and comedy. The setting and suspense guarantee the entertainment value of this horror short film full of frightening images.

Stone. Metal. Fire. In the darkness of the labyrinth, a hero faces his destiny.

Two young women retreat to a remote holiday home. While one of them undertakes a medical abortion, the other quietly cares for her. A snake slithers around them, unnoticed.

An eccentric theater director defies old age and the illnesses of the flesh by presenting a perspective of dialogue with eternity through art and its bonds. The poetic improvisation with Hugo Rodas, a Uruguayan multi-artist who established a unique trajectory in Brazil, has intimacy as its proposal. Catarina Accioly filmed the artist for four years, until his death.