Henry Woolf

After getting a flat tire in the middle of nowhere, newly engaged couple Brad and Janet encounter the eerie mansion of the flamboyant, seductive Dr Frank-N-Furter and a variety of eccentric characters. Through elaborate dance and rock music, the mad scientist unveils his latest creation: a perfect, muscular man.

Aiming to defeat the Man of Steel, wealthy executive Ross Webster hires bumbling but brilliant Gus Gorman to develop synthetic kryptonite, which yields some unexpected psychological effects. Between rekindling romance with his high school sweetheart and saving himself, Superman must contend with a powerful supercomputer.

Police Inspector Renko tries to solve the case of three bodies found in Moscow's Gorky Park but finds his attempts to solve the crime impeded by his superiors. Working on his own, Renko seeks out more information and stumbles across a conspiracy involving the highest levels of the government.

Christmas 1183, Angevin Empire: King Henry II plans to announce his successor to the throne. Jockeying for the crown, though, is complex. Henry has three sons and wants his boy Prince John to take over. Henry's wife, Queen Eleanor, believes their son Prince Richard should be king. As family and various schemers gather for the holiday, each tries to make the indecisive king choose their option.

When the Earl of Gurney dies in a cross-dressing accident, his schizophrenic son, Jack, inherits the Gurney estate. Jack is not the average nobleman; he sings and dances across the estate and thinks he is Jesus reincarnated. Believing that Jack is mentally unfit to own the estate, the Gurney family plots to steal Jack's inheritance. As their outrageous schemes fail, the family strives to cure Jack of his bizarre behavior, with disastrous results.

In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based on 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss.

Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.

Lady Booby alias 'Belle', the lively wife of the fat landed squire Sir Thomas Booby, has a lusty eye on the attractive, intelligent villager Joseph Andrews, a Latin pupil and protégé of parson Adams, and makes him their footman. Joseph's heart belongs to a country girl, foundling Fanny Goodwill, but his masters take him on a fashionable trip to Bath, where the spoiled society comes mainly to see and be seen, but drowns in the famous Roman baths. When the all but grieving lady finds Joseph's Christian virtue and true love resist her lusting passes just as well as the many ladies who fancy her footman, she fires the boy. He's found and nursed by an innkeeper's maid, which stirs lusts there, again besides his honorable conduct, but is found by the good parson.

In the hazy aftermath of World War III, the fallout from a 'nuclear misunderstanding' is producing strange mutations amongst the survivors, and the noble Lord Fortnum finds himself transforming into a bed sitting room.

Eustace is sent to a horrible school and finds a friend in Jill Pole, who's also running from bullies and looking for a place to hide. The two of them are magically transported from the garden shed into the magical world of Narnia, where they are entrusted with a task by Aslan: to rescue the king's stolen son, Prince Rilian. Together with Puddleglum the Marshwiggle, they must travel north across the mountains, dodge giants, and journey down into the earth itself to rescue Rilian from the mysterious evil that holds him bound there.

A motley crew of British characters ride The San Ferry Ann to the shores of France where they embark on a weekend of calamity. The campervan family led by Dad and Mum (David Lodge and Joan Sims) create chaos from the moment they set their tires on the shore resulting in frequent run-ins with the Gendarme, while Lewd Grandad (Wilfred Brambell) finds his own misadventures with a newly acquainted friend, a mad German ex-soldier (Ron Moody). Also aboard for the ride is a saucy hitchhiker (Barbara Windsor) who causes a few heads to turn including that of a fellow traveller (Ronnie Stevens) who pursues her affection with comic results. By the end of this weekend the French may well be wishing to say 'au revoir' to these trouble-making tourists. San Ferry Ann is a humorous take on the tradition of the British get-away. A classic sound effect comedy that sits with the likes of similarly praised titles such as 'The Plank', 'Futtock's End' and 'Rhubarb Rhubarb'.

Two escaped convicts are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter.

In 1939, Sir Robert Thorndyke takes aim at Adolf Hitler with a high powered rifle, but the shot misses its mark. Captured and tortured by the Gestapo and left for dead, Sir Robert makes his way back to England where he discovers the Gestapo has followed him. Knowing that his government would turn him over to German authorities, Sir Robert goes underground in his battle with his pursuers.

In the Paris of the 1910s, brash young sculptor Henri Gaudier begins a creative partnership with an older writer, Sophie Brzeska. Though the couple is 20 years apart in age, Gaudier finds that his untamed work is complemented by the older woman's cultural refinement. He then moves to London with Brzeska, where he falls in with a group of avant-garde artists. There, Gaudier encounters yet another artistic muse in passionate suffragette Gosh Boyle.

When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.

A Home of Your Own is a 1964 British comedy film which is a brick-by-brick account of the building a young couple’s dream house. From the day when the site is first selected, to the day – several years and children later – when the couple finally move in, the story is a noisy but wordless comedy of errors as the incompetent labourers struggle to complete the house. It may well have been inspired by the success of Bernard Cribbins' classic song of the same vein from two years earlier, "Right Said Fred". In this satirical look at British builders, many cups of tea are made, windows are broken and the same section of road is dug up over and over again by the water board, the electricity board and the gas board. Ronnie Barker’s put-upon cement mixer, Peter Butterworth’s short-sighted carpenter and Bernard Cribbins’ hapless stonemason all contribute to the ensuing chaos.

A unique look into the creative process of playwright Harold Pinter, featuring unprecedented access to him rehearsing scenes with actors, giving masterclasses, and being interviewed by his friend Henry Woolf.

When British Capt. Charles Edstaston arrives at the court of Catherine the Great in St. Petersburg, Russia, he is stunned by the palace's disorderly condition. The severely intoxicated Prince Potemkin concludes that the handsome Edstaston would be a suitable lover for Catherine, and he coerces the bewildered visitor into her bedchamber. Edstaston manages to escape, but he is repeatedly recaptured and delivered to the mischievous Catherine.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

In June 2009, a group Britain's leading actors gathered for one night only to perform a celebration of the work of Harold Pinter at the National Theatre, directed by Ian Rickson. The team who made the acclaimed Harold Pinter documentaries for BBC's Arena was there to record this unique performance.

Young Prince Caspian of Narnia wonders and dreams about the old days of Narnia when animals talked, and there were mythical creatures and four rulers in Cair Paravel. But his uncle and aunt don’t like to hear him thinking of such things, and plan to murder him and take his throne. Caspian’s tutor, Dr. Cornelius manages to save him, and not only teach him about the old ways, but bring him into the real Narnia and introduce him to the real Narnia. But Caspian’s plight is desperate, and he must use the legendary horn to call help from another world: Peter, Susan, Edmund, and Lucy. Then, Lucy and Edmund are sent back to Narnia, along with their cousin Eustace, to assist Caspian on a voyage. Along their journey the children battle dragons and sea serpents, and sail across a golden lake to reach the edge of the world.

Far in the distant future, Earth has become uninhabitable, forcing Mankind to colonise first Mars and then Pluto. No longer the coldest planet in the solar system, Pluto is now warmed by artificial suns. The Doctor, Leela and K9 arrive to discover the exploitation of the Megropolis people by the ruling elite, lead by the Collector. Deep in the Undercity, a small group of revolutionaries plot to overthrow the company and the Doctor is forced to fight the oppression of the people using Fire against Fire...

Alan Clarke's standalone film first appeared as an episode of the BBC series "The Edwardians" and concerns notorious bon vivant, swindler, MP, public speaker, founder of the Financial Times and publisher of John Bull magazine, Horatio Bottomley.