Susan Streitfeld

An ambitious female attorney wallows in excess and meaningless sex with both male and female partners, while dealing with her personal life problems including helping her kleptomaniac sister.

In 1956, American philosophy student Michael Murphy is on his way to an ashram in India when he stops off in Scotland for one last game of golf. He meets a spirited pro who teaches him about golf and life, and how the two are beautifully intertwined.

Los Angeles, 2000. Megan David likes to keep track of her life with a camcorder. It's her video-diary, her art project for the Biennale. It depicts who she is, where she's going, how she's going 'to pop her cherry', as she informs her girlfriend. And hip video artist that she is, Megan has even picked out the right partner through the Internet - a theology major named Luke - for the summer of her deflowering at the Garden of Eden. But when the love-birds arrive on the motel, the concierge hands them the key to their room on a condition - they are not to eat the apple...

An ambitious female attorney wallows in excess and meaningless sex with both male and female partners, while dealing with her personal life problems including helping her kleptomaniac sister.

An ambitious female attorney wallows in excess and meaningless sex with both male and female partners, while dealing with her personal life problems including helping her kleptomaniac sister.

In 1956, American philosophy student Michael Murphy is on his way to an ashram in India when he stops off in Scotland for one last game of golf. He meets a spirited pro who teaches him about golf and life, and how the two are beautifully intertwined.

In 1956, American philosophy student Michael Murphy is on his way to an ashram in India when he stops off in Scotland for one last game of golf. He meets a spirited pro who teaches him about golf and life, and how the two are beautifully intertwined.

Los Angeles, 2000. Megan David likes to keep track of her life with a camcorder. It's her video-diary, her art project for the Biennale. It depicts who she is, where she's going, how she's going 'to pop her cherry', as she informs her girlfriend. And hip video artist that she is, Megan has even picked out the right partner through the Internet - a theology major named Luke - for the summer of her deflowering at the Garden of Eden. But when the love-birds arrive on the motel, the concierge hands them the key to their room on a condition - they are not to eat the apple...

Los Angeles, 2000. Megan David likes to keep track of her life with a camcorder. It's her video-diary, her art project for the Biennale. It depicts who she is, where she's going, how she's going 'to pop her cherry', as she informs her girlfriend. And hip video artist that she is, Megan has even picked out the right partner through the Internet - a theology major named Luke - for the summer of her deflowering at the Garden of Eden. But when the love-birds arrive on the motel, the concierge hands them the key to their room on a condition - they are not to eat the apple...