Petr Komínek

When not serving regulars at a pub in the middle of a sleepy northern Moravian village, thirtysomething Maruna spends time with hesitant Jura and naïve outsider Olin – or fighting with her imperious mother. Lightened with a touch of black humor, this laconic village drama is the directorial debut of the artistic director of Prague’s Dejvice Theater who gave the members of his ensemble a one-of-a-kind acting opportunity in film.

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

Further east of the Dark Blue Sky, where the Heavenly Horsemen fought, the story of a Czechoslovakian fighter squadron takes place, to which Second Lieutenant Jandak arrives as a rookie. He then experiences both his first love and a battle high above the clouds in the collective of combat pilots. Combat pilots on the Eastern Front thus experience similar stories to their Western colleagues, with the same goals and plans and the same slim prospects of survival in their daily life-and-death battles. Not surprisingly, they fought at a time when they had a common enemy, characterised by the Messerschmitt aircraft.

No synopsis available yet.

Story follows two best friend on private investigation. They are going to their hometown to prove that Michals mother was killed by his stepmother.