Ng'endo Mukii

When Enkai, the curious daughter of a powerful creator figure, ventures prematurely to Earth, she witnesses the exploitation of a sacred mountain in Kirinyaga by a Euro-Kenyan corporation. As resistance brews among marginalized communities, Shiro intervenes to protect her daughter; while silently battling a deep internal fracture of her own.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.

Kitwana is a ordinary boy just like the other kids. Since one day, his life is getting something wrong but there is no one who notice it.

No synopsis available yet.

This Migrant Business shows the systems that exist that enable and exploit African migrants seeking better lives in the Middle East and Europe. The system creates a cyclic force that ensures that demand and supply will continue to feed into each other, indefinitely. This is a lucrative trade with vulnerable people as its currency.

When Enkai, the curious daughter of a powerful creator figure, ventures prematurely to Earth, she witnesses the exploitation of a sacred mountain in Kirinyaga by a Euro-Kenyan corporation. As resistance brews among marginalized communities, Shiro intervenes to protect her daughter; while silently battling a deep internal fracture of her own.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Kitwana is a ordinary boy just like the other kids. Since one day, his life is getting something wrong but there is no one who notice it.

No synopsis available yet.

This Migrant Business shows the systems that exist that enable and exploit African migrants seeking better lives in the Middle East and Europe. The system creates a cyclic force that ensures that demand and supply will continue to feed into each other, indefinitely. This is a lucrative trade with vulnerable people as its currency.

This Migrant Business shows the systems that exist that enable and exploit African migrants seeking better lives in the Middle East and Europe. The system creates a cyclic force that ensures that demand and supply will continue to feed into each other, indefinitely. This is a lucrative trade with vulnerable people as its currency.