Acting
Fred Moten
Known for
Acting
Credits
6 titles
Known for
7.0Adapted from Kahlil Joseph’s renowned video art installation, BLKNWS: Terms & Conditions is a distinctive cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph’s family, and even Twitter chats, in a vision for black consciousness.
BLKNWS: Terms & Conditions
2025
NRConceived as a performance for the camera, Girl Talk captures poet and theorist Fred Moten in a verdant garden donning an ornate velvet cape and crystal jewelry: what is generally coded as decidedly feminine attire. His body spins slowly, filling the frame with mesmerizing continuous motion. Ambient light at times diffuses his image to a rotating blur. He lip-syncs to a jazz rendition of the title song, Girl Talk, sung originally by Tony Bennett, a darling of 60s middle class white culture.
Girl Talk
2015
6.0Fifty years after Martin Luther King delivered his “I Have a Dream” speech, a collective of African American filmmakers, artists, and intellectuals reflect on the goals and ambitions of the civil rights movement and where things stand today.
Dreams Are Colder Than Death
2014
1.0An adaptation of Moby Dick as a silent film and theatre piece with a postcolonial and queer reading that highlights its marginal characters.
MOBY DICK; or, The Whale
2022
NRThis two-channel film, initiated as a long-distance communication experiment, was the result of an exchange with Fred Moten, the poet and theorist whose work explores representation and identity in black avant-garde culture. Moten and Tsang left each other voicemail messages every day over a two-week period, never actually making contact, but often riffing off of the other’s previous message. The recordings of these messages serve as voiceover for footage of the faces of Moten and Tsang looking directly at the camera with deadpan expressions.
Miss Communication and Mr:Re
2014
NRA young filmmaker named Domino travels from the UK to New York City to hunt down funding for her new film. Harkening back to classic counter-cultural Big Apple films of the 70s and 80s, Keep Looking has a loose, jazzy feel that gives this simple narrative a hip freshness.
Keep Looking
2024
Film credits
2020s · 3 titles
7.0Adapted from Kahlil Joseph’s renowned video art installation, BLKNWS: Terms & Conditions is a distinctive cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph’s family, and even Twitter chats, in a vision for black consciousness.
BLKNWS: Terms & Conditions
2025
1.0An adaptation of Moby Dick as a silent film and theatre piece with a postcolonial and queer reading that highlights its marginal characters.
MOBY DICK; or, The Whale
2022
NRA young filmmaker named Domino travels from the UK to New York City to hunt down funding for her new film. Harkening back to classic counter-cultural Big Apple films of the 70s and 80s, Keep Looking has a loose, jazzy feel that gives this simple narrative a hip freshness.
Keep Looking
2024
2010s · 3 titles
NRConceived as a performance for the camera, Girl Talk captures poet and theorist Fred Moten in a verdant garden donning an ornate velvet cape and crystal jewelry: what is generally coded as decidedly feminine attire. His body spins slowly, filling the frame with mesmerizing continuous motion. Ambient light at times diffuses his image to a rotating blur. He lip-syncs to a jazz rendition of the title song, Girl Talk, sung originally by Tony Bennett, a darling of 60s middle class white culture.
Girl Talk
2015
6.0Fifty years after Martin Luther King delivered his “I Have a Dream” speech, a collective of African American filmmakers, artists, and intellectuals reflect on the goals and ambitions of the civil rights movement and where things stand today.
Dreams Are Colder Than Death
2014
NRThis two-channel film, initiated as a long-distance communication experiment, was the result of an exchange with Fred Moten, the poet and theorist whose work explores representation and identity in black avant-garde culture. Moten and Tsang left each other voicemail messages every day over a two-week period, never actually making contact, but often riffing off of the other’s previous message. The recordings of these messages serve as voiceover for footage of the faces of Moten and Tsang looking directly at the camera with deadpan expressions.
Miss Communication and Mr:Re
2014
