Christine Cynn

After befriending documentarian Joshua Oppenheimer, former Indonesian death squad leaders reenact their real-life mass killings in the style of various American film genres. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia's 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.

How does the arms trade impact real people? Shooting Ourselves examines the weapons industry through the personal stories of victims, soldiers, manufacturers and activists from around the world, as they participate in an immersive production by the award-winning Rimini Protokoll theater company.

Filmed by Indonesian workers during their working hours on rubber and palm oil plantations, this film exposes the devastating role of militarism and repression in building the “global economy.” Through chilling first hand accounts, hilarious improvised interventions, collective debate, and archival footage, the film explores the relationships between trade, Third World debt, and international institutions like the IMF and World Bank.

For eighty cents an hour, prisoners in a New Mexico prison answer telephones for the state tourism hotline. Co-directed by Christine Cynn.

After befriending documentarian Joshua Oppenheimer, former Indonesian death squad leaders reenact their real-life mass killings in the style of various American film genres. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia's 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.

How does the arms trade impact real people? Shooting Ourselves examines the weapons industry through the personal stories of victims, soldiers, manufacturers and activists from around the world, as they participate in an immersive production by the award-winning Rimini Protokoll theater company.

Filmed by Indonesian workers during their working hours on rubber and palm oil plantations, this film exposes the devastating role of militarism and repression in building the “global economy.” Through chilling first hand accounts, hilarious improvised interventions, collective debate, and archival footage, the film explores the relationships between trade, Third World debt, and international institutions like the IMF and World Bank.

Filmed by Indonesian workers during their working hours on rubber and palm oil plantations, this film exposes the devastating role of militarism and repression in building the “global economy.” Through chilling first hand accounts, hilarious improvised interventions, collective debate, and archival footage, the film explores the relationships between trade, Third World debt, and international institutions like the IMF and World Bank.

For eighty cents an hour, prisoners in a New Mexico prison answer telephones for the state tourism hotline. Co-directed by Christine Cynn.